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"Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels."--Bloomsbury Publishing.
Apocalypse in literature. --- Apocalyptic literature. --- American fiction --- Literature, Apocalyptic --- Literature --- Apocalypse in mass media. --- End of the world in literature. --- Mass media --- Englisch, ... --- Andrae, A. --- Oberfinanzrat --- Hannover --- 1925 --- -Zielke-Nadkarni, Andrea --- Zielke-Nadkarni, Andrea --- Hövener, Andreas --- 2013
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This book is the first full-length study of Douglas Coupland, one of the twenty-first century's most innovative and influential novelists. The study explores the prolific first decade and a half of Coupland's career, from Generation X: Tales for an Accelerated Culture (1991) to JPod (2006), a period in which he published ten novels and four significant volumes of non-fiction. Emerging in the last decade of the twentieth century - amidst the absurd contradictions of instantaneous global communication and acute poverty - Coupland's novels, short stories, essays and visual art have intervened in
Coupland, Douglas --- Coupland, Doug --- Criticism and interpretation. --- Literature --- Literature: History & Criticism --- LITERARY CRITICISM / American / General --- Literature: history & criticism --- Accelerated Culture. --- Douglas Coupland. --- Generation X. --- JPod. --- Microserfs. --- Miss Wyoming. --- artifice. --- authenticity. --- global communication. --- poverty.
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This book provides a detailed exploration of the spiritual and religious contexts and subtexts of contemporary fiction.
American fiction --- English fiction --- Christianity in literature. --- Christianity and literature --- Religion and literature --- Literature --- Literature and religion --- History and criticism. --- History --- Moral and religious aspects --- Christianity in literature --- 820 "18/19" --- 820-97 --- 82:2 --- 82:2 Literatuur en godsdienst --- Literatuur en godsdienst --- 820-97 Engelse literatuur: religieuze literatuur --- Engelse literatuur: religieuze literatuur --- Literature and Christianity --- Christian literature --- 820 "18/19" Engelse literatuur--Hedendaagse Tijd --- Engelse literatuur--Hedendaagse Tijd --- History and criticism --- English fiction century --- Spirituality in literature --- Theology in literature --- American fiction - 20th century - History and criticism --- English fiction - 20th century - History and criticism --- Christianity and literature - United States - History - 20th century --- Religion and literature - United States - History - 20th century --- Christianity and literature - Great Britain - History - 20th century --- Religion and literature - Great Britain - History - 20th century
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English literature --- Religion and literature --- American literature --- Religion in literature. --- Spirituality in literature. --- History and criticism --- Theory, etc. --- History. --- History and criticism. --- English literature - History and criticism - Theory, etc. --- Religion and literature - Great Britain - History. --- American literature - History and criticism. --- Religion and literature - United States - History.
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The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything freedom, individuality, rationality and even a secular experience of the transcendental that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.
Religion and literature. --- Atheism and literature. --- English fiction --- History and criticism --- McEwan, Ian --- Amis, Martin --- Rushdie, Salman --- Pullman, Philip, --- Criticism and interpretation. --- Religion and literature --- History and criticism. --- Literature and atheism --- Literature --- Literature and religion --- Moral and religious aspects --- McEwan, Ian (1948-....) --- Amis, Martin (1949-....) --- Rushdie, Salman (1947-....) --- Pullman, Philip (1946-....) --- Religion et littérature --- Athéisme --- Littérature anglophone --- Critique et interprétation --- Dans la littérature --- 21e siècle --- Religion et littérature --- Athéisme --- Littérature anglophone --- Critique et interprétation --- Dans la littérature --- 21e siècle
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Literary texts are more or less obliged to make reference to entities beyond themselves. Drawing on other texts, ideas previously written, or on the resources of language, they make their attempts to communicate, entertain, and enlist sympathy, or even to offer counsel. Some texts profess an a priori vision, others adopt a style of reporting only contingencies.A dialogic relation can be posited between the ideal and the real, heaven and earth, imagination and reason, langue and parole, essence and substance, poetry and prose. The poetic and creative impulse is engaged with an ever present need
Religion in literature. --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Religion in drama --- Religion in poetry --- History and criticism. --- Appraisal --- Evaluation
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