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Folk music --- Folk songs, Chinese --- Taiwan aborigines --- Amis (Taiwan people) --- Musique folklorique --- Chansons folkloriques chinoises --- Autochtones --- Ami (Peuple de Taiwan) --- History and criticism --- Music --- Histoire et critique --- Musique --- 78.33.7 --- Music&delete&
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Indigenous peoples --- Sound --- Sound recordings --- Digital media --- Music --- History and criticism. --- Recording and reproducing --- Social aspects. --- Social aspects --- 78.31 --- 78.86.2
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The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.
Indigenous peoples --- Sound --- Sound recordings --- Digital media --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Aboriginal peoples --- Aborigines --- Adivasis --- Indigenous populations --- Native peoples --- Native races --- Ethnology --- Music --- History and criticism. --- Recording and reproducing --- Social aspects. --- Neue Medien --- Musik --- Indigenes Volk --- Social aspects --- Indigenous culture. --- Indigenous music. --- Native American culture. --- Native Americans. --- age of technology. --- cultural values. --- digital media studies. --- internet. --- media studies. --- modern history. --- sociology. --- spread of ideas. --- twenty-first century history.
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