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One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the ‘crisis of under-representation’ of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. Best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. An assiduous worker, he spent his youth acquiring time-honored skills of art – drawing and painting, but also wood engraving and printing. By his midtwenties, he recalls, ‘I could paint in egg tempera.… I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.’ Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998–99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist’s archive and are unknown to the public. This catalog raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall’s work as a whole.

Marshall, Kerry James --- Marshall, Kerry James, --- Graphic arts --- catalogues raisonnés --- printmakers --- prentkunst

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Art --- Contemporary [style of art] --- hedendaagse kunst --- anno 1900-1999

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Photography, Artistic --- Installations (Art) --- Collectors and collecting in art --- Photography of art --- Photographie artistique --- Installations (Art) --- Collectionneurs et collections dans l'art --- Photographie d'oeuvres d'art --- Exhibitions --- Exhibitions --- Exhibitions --- Exhibitions --- Expositions --- Expositions --- Expositions --- Expositions --- Bloom, Barbara, --- Exhibitions

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"This exhibition catalogue documents almost one hundred figurative works on paper by Ellsworth Kelly (American, 1923-2015) and shows a new side of an artist best known for abstraction. These informal depictions of friends and other ad hoc models as well as expressive self-portraits-all rarely or never previously displayed or published-span the entirety of Kelly's career, from the mid-1940s to the early 2000s. Throughout his life, such drawings provided a place to test his ideas, refine his bold use of lines, and interrogate the space between naturalism and abstraction. These works also capture his social milieu, which intersected with other creative circles and the queer community. Bolstered by support from the Ellsworth Kelly Foundation and the participation of the artist's husband, Jack Shear, the publication finally situates an important aspect of the artist's work within his full oeuvre"--

Kelly, Ellsworth --- 738.2 --- 737.8 --- Verenigde Staten --- modeltekenen --- anatomietekenen --- figuurtekenen --- naaktstudies --- naaktmodel --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions --- Drawing --- portrettekenen