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American literature --- Thematology --- anno 1900-1999 --- Sublieme [Het ] in de literatuur --- Sublime [Le ] dans la littérature --- Sublime [The ] in literature --- Technologie dans la littérature --- Technologie in de literatuur --- Technology in literature --- Literature and technology --- Postmodernism (Literature) --- Sublime, The, in literature. --- Technology in literature. --- Littérature américaine --- Littérature et technologie --- Postmodernisme (Littérature) --- Sublime dans la littérature --- History and criticism. --- History --- Histoire et critique --- Histoire --- Mailer, Norman --- Littérature américaine --- Littérature et technologie --- Postmodernisme (Littérature) --- Sublime dans la littérature --- Technologie dans la littérature --- Mailer, Norman. --- 20th century --- History and criticism --- United States --- McElroy, Joseph --- DeLillo, Don --- Criticism and interpretation --- Gibson, William --- Acker, Kathy --- Sterling, Bruce --- Calvino, Italo

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Focusing on works by Norman Mailer, Thomas Pynchon, Joseph McElroy, and Don DeLillo, Joseph Tabbi finds that a simultaneous attraction to and repulsion from technology has produced a powerful new mode of modern writing-the technological sublime.

Technology in literature. --- Sublime, The, in literature. --- Postmodernism (Literature) --- Literature and technology --- American literature --- Industry and literature --- Technology and literature --- Technology --- History --- History and criticism.

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Celebrates and illuminates the legacy of one of America's most innovative and consequential 20th century novelists. In 2002, following the posthumous publication of William Gaddis's collected nonfiction and his final novel and Jonathan Franzen's lengthy attack on him in The New Yorker, a number of partisan articles appeared in support of Gaddis's legacy. In a review in The London Review of Books, critic Hal Foster suggested a reason for disparate responses to Gaddis's reputation: Gaddis's unique hybridity, his ability to "write in the gap between two dispensations,-betwe

Capitalism in literature. --- Mass media in literature. --- Globalization in literature. --- Literature and technology --- Industry and literature --- Technology and literature --- Technology --- Gaddis, William, --- Criticism and interpretation.

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"Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions from the pioneering journal electronic book review, this 2-volume set also includes new responses chronicling more recent developments in the field since the original articles, a substantial introduction surveying the long history of thinking about the digital and a comprehensive bibliography of further reading"--

Literature and the Internet --- Literature and technology --- Digital humanities --- Online authorship --- Hypertext literature --- Postmodernism (Literature) --- History and criticism --- Digital humanities. --- Hypertext literature. --- Internet --- Literature and technology. --- Literature and the Internet. --- Littérature et technologie. --- Littérature numérique --- Online authorship. --- Postmodernism (Literature). --- Postmodernisme (Littérature). --- Sciences humaines numériques. --- digital humanities. --- History and criticism. --- Art d'écrire. --- Histoire et critique. --- Electronic Book Review.

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The convergence of twentieth-century narrative and technology is one of the most important developments in current literary study. Roughly a decade after the founding of the Society for Literature and Science, and after the appearance of such influential books as Kathleen Woodward's Culture of Information and William Paulson's Noise of Culture, Joseph Tabbi and Michael Wutz have edited a landmark volume that seeks to summarize this still-emerging field. Through the essays and the wide-ranging overview provided by the editors' introduction, Reading Matters shows how these theoretical concerns can contribute to the practical study of narrative, and it helps to make the field far more accessible to students and other serious readers of fiction.The twelve original essays, published here for the first time, are the work of distinguished scholar-critics on both sides of the Atlantic. They cover the range of contemporary literature, from the canonical novels of high modernism and postmodernism through subjects only recently put on the academic agenda, such as cyberpunk and hypertext fiction.In an age that has proclaimed the death of the novel many times over, the editors and contributors argue persuasively for the continued vitality of literary narrative. By responding in ingenious ways to the capabilities of other media, they assert, the novel has enlarged and redefined its territory of representation and its range of techniques and play, while maintaining its viability in the new media assemblage.

Narration (Rhetoric) --- Literature and technology. --- Postmodernism (Literature) --- Literature, Modern --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Industry and literature --- Technology and literature --- Technology --- Literary movements --- History and criticism. --- Literature and technology --- History and criticism --- Narration (Rhetoric). --- Postmodernism (Literature).