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The structure of biological theories
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ISBN: 0887069339 0887069347 9780887069345 Year: 1989 Publisher: Albany State university of New York press

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The work of William Morris.
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ISBN: 0704331187 Year: 1977 Publisher: London Quartet books


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William Butterfield
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ISBN: 0710069308 Year: 1971 Publisher: London Routledge and Kegan Paul

The voice of the past : oral history
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ISBN: 0192891022 0192158333 9780192891020 Year: 1978 Publisher: Oxford Oxford university press

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Creativity in the Recording Studio : Alternative Takes
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ISBN: 3030016501 3030016498 Year: 2019 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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“Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf.” – Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. “In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples.” - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Björk, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.


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Creativity in the recording studio. Alternative takes
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ISBN: 9783030016494 Year: 2019 Publisher: Palgrave MacMillan,

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Issues in evolutionary ethics
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ISBN: 0791420280 Year: 1995 Publisher: Albany (N.Y.) : State university of New York press,

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The nature of work: an introduction to debates on the labour process
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ISBN: 0333330277 Year: 1983 Publisher: London Macmillan

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Creativity in the Recording Studio : Alternative Takes
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ISBN: 9783030016500 Year: 2019 Publisher: Cham Springer International Publishing :Imprint: Palgrave Macmillan

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Abstract

“Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf.” – Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. “In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples.” - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Björk, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.

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