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Economic schools --- Capital market. --- Power (Social sciences) --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Capital markets --- Market, Capital --- Finance --- Financial institutions --- Loans --- Money market --- Securities --- Crowding out (Economics) --- Efficient market theory
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"A brilliant contribution to present-day discussions on Marx's value theory, money, capital and finance, highlighting the cardinal regulatory role of the financial sphere in capitalism. Achim Szepanski, following Marx's analyses, takes finance seriously. He shows that 'financialization' is not a deviation from some 'good' industrial capitalism, or a new, 'predatory', method of exploitation ('exploitation by dispossession' etc.), a 'bad' exploitation as opposed to the 'good' exploitation by the 'productive' capital, but a historic development expressing the formal determinations innate in the capitalist mode of production." - John Milios, Author of The Origins of Capitalism as a Social System The book's central theme is to develop a new theory of speculative capital related to other forms of capital, the world market, and the state. Unlike most Marxist and heterodox theories, the book distinguishes credit and fictitious capital from speculative capital to show its hegemony today in the capital markets. Speculative capital structures and also controls the so-called "real capital." The method is Marxist while also incorporating material from contemporary Marxist and heterodox authors like John Milios, Robert Meister, Tony Norfeld, Li Puma, Harald Strauß, Michael Heinrich, Suhail Malik, Bichler/Nitzan and Ellie Ayache. Offering a comprehensive study of the logic and mode of existence of capital in the 21st century, the book will be of interest to academics and students of monetary and financial economics alongside political economy. Achim Szepanski is the founder of the Electronic Music Labels Force Inc., and Mille Plateaux. His research focuses on speculative capital. His recent publications are Capitalisation 1 & 2, Non-Marxism, Capital and Power in the 21st Century, Imperialism, State-Fascism and the War Machines of Capital, and Ultrabablack of Music. He is the Editor of the online magazine NON.
Politics --- Macroeconomics --- Money market. Capital market --- Economics --- financiële markten --- economie --- politiek --- macro-economie
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This book analyses contemporary and future conditions of global finance and capitalism in an age of catastrophe. It illuminates the links between various crises that have beset the world economy in recent decades and sets these in philosophical context, drawing on the work of Marx, Bataille and Baudrillard to forge new understandings of the impact of capitalist hegemony on society and nature. The book introduces the concept of the ‘over’ as a lens through which to reflect on capitalist excess and its negative consequences, such as over-accumulation of goods, over-pollution of the environment, and over-speculation of capital. In particular, it shines a light on the trends of financialization and stagflation, with chapters examining increasingly embedded features of the world economy such as hyper-inflation, the dominance of advanced economy central banks, the phenomenon of repurchase agreements, new asset managers for the ultra-wealthy and index funds to show how capitalist structures continue to drive inequality, ecological breakdown, and geopolitical precarity on a global scale. With a rigorous philosophical and theoretical framework, this book will appeal to political economists, Marxist economists and scholars interested in theories of capitalism. Achim Szepanski is the founder of the Electronic Music Labels Force Inc., and Mille Plateaux. His research focuses on speculative capital. He published Financial Capital in the 21st Century (Palgrave) and is the Editor of the online magazine NON.
Economics. --- Finance. --- Marxian economics. --- International finance. --- Political Economy and Economic Systems. --- Financial Economics. --- Marxist Economics. --- International Finance.
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This book analyses contemporary and future conditions of global finance and capitalism in an age of catastrophe. It illuminates the links between various crises that have beset the world economy in recent decades and sets these in philosophical context, drawing on the work of Marx, Bataille and Baudrillard to forge new understandings of the impact of capitalist hegemony on society and nature. The book introduces the concept of the ‘over’ as a lens through which to reflect on capitalist excess and its negative consequences, such as over-accumulation of goods, over-pollution of the environment, and over-speculation of capital. In particular, it shines a light on the trends of financialization and stagflation, with chapters examining increasingly embedded features of the world economy such as hyper-inflation, the dominance of advanced economy central banks, the phenomenon of repurchase agreements, new asset managers for the ultra-wealthy and index funds to show how capitalist structures continue to drive inequality, ecological breakdown, and geopolitical precarity on a global scale. With a rigorous philosophical and theoretical framework, this book will appeal to political economists, Marxist economists and scholars interested in theories of capitalism. Achim Szepanski is the founder of the Electronic Music Labels Force Inc., and Mille Plateaux. His research focuses on speculative capital. He published Financial Capital in the 21st Century (Palgrave) and is the Editor of the online magazine NON.
Politics --- Finance --- Economics --- International financial management --- financieel management --- economie --- politiek --- internationale economie --- Economics. --- Finance. --- Marxian economics. --- International finance. --- Political Economy and Economic Systems. --- Financial Economics. --- Marxist Economics. --- International Finance.
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Le manifeste ultra-noirceur : une lecture deleuzienne des enjeux philosophiques et socio-politiques de la scène musicale électronique actuelle (publication marquant la réactivation de l’influent label Mille Plateaux, avec des textes d’un ensemble de musiciens, artistes et théoriciens internationaux : Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler,Thomas Brinkmann, Thomas Köner...). Ultrablack of Music spécule sur les multiples façons dont les mondes sonores objectifs et inhumains, qui rugissent sous l’appareil sensologique des humains, imprègnent et colonisent en douceur nos capacités humanoïdes-extraterrestres, affectives et cognitives - et comment construire des moyens de sortir du désordre des rythmes maîtres du capital thanaticiste sonore et de ses stratagèmes d’anéantissement et de pulpification. Les productions rythmiques spéculatives conduisent l’opé-rationalité mathématique et ses auto-amputations décisionnelles à la limite et créent la corporéité manquante qui recâble nos capacités affectives et nos inhibitions en dé-amarrant, en aliénant / déréalisant nos relations aux abstractions meurtrières (binarisme réducteur, identitésm / autisme), l’état d’esprit techgnostical et ses mystifications. La musique ultrablackened nous confronte et nous pousse aussi dans l’expérimentation de cet entre-deux sans nom, dans lequel de nouvelles temporalités peuvent émerger dont les chemins sinueux et les résultats ne peuvent être ni prédits ni garantis. Son amour cruel vigoureusement informé et alimenté par la haine de mettre fin à ce monde, tel que nous le connaissons et l’expérimentons sonorement.
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