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These poems are about gardens, particularly the seventeenth-century French baroque gardens designed by the father of the form, André Le Nôtre. While the poems focus on such examples as Versailles, which Le Nôtre created for Louis XIV, they also explore the garden as metaphor. Using the imagery of the garden, Cole Swensen considers everything from human society to the formal structure of poetry. She looks in particular at the concept of public versus private property, asking who actually owns a garden? A gentle irony accompanies the question because in French, the phrase "le nôtre" means "ours." Whereas all of Le Nôtre's gardens were designed and built for the aristocracy, today most are public parks. Swensen probes the two senses of "le nôtre" to discover where they intersect, overlap, or blur.
Gardens --- Gardens, French --- French gardens --- Styles --- Le Notre, Andre, --- Le Nostre, André, --- Nôtre, André Le, --- Nostre, André Le, --- Le Nautre, André, --- Nautre, André Le, --- 17th century french baroque gardens. --- 17th century french culture. --- 21st century american literature. --- 21st century american poetry. --- american literature. --- american poetry. --- andre le norte. --- aristocracy. --- beauty. --- collective ownership. --- discussion books. --- engaging. --- flora and fauna. --- flowers. --- formal structure of poetry. --- gardens. --- human society. --- imagery. --- le norte. --- louis xiv. --- new california poetry series. --- nobility. --- page turner. --- poems. --- poetry. --- property. --- public parks. --- public vs private. --- royalty. --- versailles.
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The hand is second only to language in defining the human being, and its constant presence makes it a ready reminder of our humanity, with all its privileges and obligations. In this dazzling collection, Cole Swensen explores the hand from any angle approachable by language and art. Her hope: to exhaust the hand as subject matter; her joy: the fact that she couldn't.These short poems reveal the hand from a hundred different perspectives. Incorporating sign language, drawing manuals, paintings from the 14th to the 20th century, shadow puppets, imagined histories, positions (the "ha
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"Ghosts appear in place of whatever a given people will not face" (p. 65)The poems in Gravesend explore ghosts as instances of collective grief and guilt, as cultural constructs evolved to elide or to absorb a given society's actions, as well as, at times, to fill the gaps between such actions and the desires and intentions of its individual citizens. Tracing the changing nature of the ghostly in the western world from antiquity to today, the collection focuses particularly on the ghosts created by the European expansion of the 16th through 20th centuries, using the town of Gravesend, the seaport at the mouth of the Thames through which countless emigrants passed, as an emblem of theambiguous threshold between one life and another, in all the many meanings of that phrase.
American poetry. --- American literature --- advanced poetry. --- book club reads. --- books by women. --- books for poetry lovers. --- complex poems. --- discussion books. --- easy to read. --- edge of your seat. --- engaging. --- european expansion. --- european history. --- ghost poems. --- ghosts. --- gothic. --- historical. --- history and poetry. --- how to write a poem. --- learning while reading. --- leisure reads. --- page turner. --- paranormal. --- pass on books. --- poetry books. --- poetry techniques. --- pre 21st century. --- stories with poems. --- suspense. --- suspenseful poems. --- understanding poetry. --- vacation books. --- western world history.
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This anthology of contemporary American poetry focuses on the new poem, the hybrid, a synthesis of traditional and experimental styles. As one of the editors argues in the introduction to this anthology, the long-acknowledged "fundamental division" between experimental and traditional is disappearing in American poetry in favor of hybrid approaches that blend trends from accessible lyricism to linguistic exploration. The focus of this work is on the blend; the more than seventy poets featured here, including Jorie Graham, Albert Goldbarth, and Lyn Hejinian, have found new and often unique ways to reconfigure the innumerable and sometimes conflicting voices of the past thirty years. The editors have crafted short introductory essays on each of the poets in the anthology, providing biographical backgrounds and positioning them within the current of contemporary poetry. This anthology is essential reading for those who care about the present moment and the future, of American verse.
American poetry --- American poetry. --- Lyrik. --- 1900-2099. --- Geschichte 2000-2008.
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kunst --- twintigste eeuw --- eenentwintigste eeuw --- Colby Kate --- Shalom Todd --- Pope.L William --- Pistoletto Michelangelo --- Nazareth Paulo --- Nauman Bruce --- Mirra Helen --- Manchot Melanie --- Koester Joachim --- Jacob Wendy --- Hayes Sharon --- Gupta Shilpa --- Faithful Simon --- kanarinka --- D'Ignazio Catherine --- Coburn Tyler --- performances --- Cadere André --- Brouwn Stanley --- Barco Hannah --- Alÿs Francis --- 7.038/039 --- wandelingen --- wandelen --- installaties --- beeldhouwkunst --- lichamelijkheid --- body art --- 73.049 --- 7.049 --- Land Art --- Walkscapes --- 7.038 --- 7.039 --- Beeldhouwkunst ; iconografie ; verschillende onderwerpen --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 1950-2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Sculpture --- walking --- public spaces --- sculpting --- Pope.L, William --- Mirra, Helen --- Faithfull, Simon --- Pistoletto, Michelangelo --- Gupta, Shilpa --- Hayes, Sharon --- Jacob, Wendy --- Manchot, Melanie --- Barco, Hannah --- Coburn, Tyler --- D'Ignazio, Catherine --- Nazareth, Paulo --- Shalom, Todd --- Brouwn, Stanley --- Nauman, Bruce --- Alÿs, Francis --- Cadere, André --- Koester, Joachim
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