Listing 1 - 10 of 11 | << page >> |
Sort by
|
Choose an application
The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the base of our understanding of the composer.
Music --- Musique --- Haydn, Joseph, --- Criticism and interpretation. --- Haydn, Joseph --- -Criticism and interpretation --- -Haydn, Franz Joseph --- Criticism and interpretation --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- Haydn, Franz Joseph --- Composers -- Austria -- Correspondence. --- Haydn, Joseph, 1732-1809 -- Correspondence. --- Haydn, Joseph, 1732-1809 -- Criticism and interpretation. --- Piano music -- Interpretation (Phrasing, dynamics, etc.). --- Pianists.
Choose an application
The Op. 50 string quartets contain some of the purest writing Haydn ever accomplished. In this first full account of these six quartets Dean Sutcliffe evaluates the Op. 50 in relation to Haydn's more frequently performed quartets and considers their relevance to the composer's wider output. A lucid and accessible discussion of the music emphasises the unity of each quartet: not only motivic unity, but unity also of texture, articulation, harmony and syntax. Each quartet is described in detail. The informative background provided by Dr Sutcliffe includes a brief history of the string quartet, and an assessment of Haydn's earlier works in this genre and of his role at Esterhaza. The description of the composition and publication of the Op. 50 quartets is based on the evidence of Haydn's surviving letters and the recently discovered autograph copies of Nos. 3 to 6 - a discovery which is vividly documented here for the first time.
opus-50 --- Haydn, Joseph, --- Haydn, Franz Joseph --- 526.30 --- Genre- en werkbesprekingen --- Muziekanalyses --- Muziekgeschiedenis --- Instrumentaal --- Kwartetten --- Strijkers --- Strijkkwartet --- Haydn, Joseph (1732-1809) --- 18e eeuw --- Oostenrijk
Choose an application
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
78.21.1 Scarlatti --- Sonatas (Harpsichord) --- Music --- Style, Musical. --- Musical style --- Analysis, appreciation. --- History and criticism. --- Philosophy and aesthetics --- Scarlatti, Domenico, --- Scarlatti, Domenico --- Analysis, appreciation --- 18th century --- History and criticism --- 1685-1757. Sonatas, harpsichord
Choose an application
Sociability may be a key term of reference for eighteenth-century studies as a whole, but it has not yet developed an especially strong profile in music scholarship. Many of the associations that it brings do not fit comfortably with a later imperative of individual expression. W. Dean Sutcliffe invites us to face up to the challenge of re-evaluating the communicative rationales that lie behind later eighteenth-century instrumental style. Taking a behavioural perspective, he divides sociability into 'technical' and 'affective' realms, involving close attention both to particular recurring musical patterns as well as to some of the style's most salient expressive attributes. The book addresses a broad span of the instrumental production of the era, with Haydn as the pivotal figure. Close readings of a variety of works are embedded in an encompassing consideration of the reception of this music.
Instrumental music --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music, Instrumental --- History and criticism. --- Social aspects --- History --- Haydn, Joseph, --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Haydn, Joseph --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- Criticism and interpretation. --- Haydn, Franz Joseph --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz
Choose an application
The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the base of our understanding of the composer.
Choose an application
Choose an application
Instrumental music --- Music --- History and criticism. --- Social aspects --- History --- Haydn, Joseph, --- Mozart, Wolfgang Amadeus, --- Criticism and interpretation.
Choose an application
Choose an application
Choose an application
Scarlatti, Domenico --- d'Ambricourt, Aline (+ foto's) --- Italië
Listing 1 - 10 of 11 | << page >> |
Sort by
|