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Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, Chuck Close Prints highlights the intensely collaborative nature of Close's projects. Close may labor on a single print for as long as two yearss, working out aesthetic problems by tretrieving a centuries-old European method or creating an entirely new technique (such as applying sunscreen to block light). According to Close, "Prints have moved me in my unique work more than anything else has." For three decades, Chuck Close has challenged the accepted boundaries of the printmaking tradition. This book, published to accompany a retrospective of his prints organized by Blaffer Galllery, the Art Museum of the University of Houston, and traveling to the Metropolitan Museum of Art and several additional museums around the country, is the first comprehensive survey of Close's revolutionary prints. From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.
Close Chuck --- 76 CLOSE, CHUCK --- Terrie Sultan ; with an essay by Richard Shiff --- mezzotint --- multiples --- 76.071 CLOSE --- 7.071 CLOSE --- Grafische kunsten. Grafiek. Prentkunst--CLOSE, CHUCK --- 76 CLOSE, CHUCK Grafische kunsten. Grafiek. Prentkunst--CLOSE, CHUCK --- collages --- etskunst --- grafiek --- houtsnedes --- hyperrealisme --- kunst --- Verenigde Staten --- zeefdruk --- Close, Chuck, --- Close, Charles Thomas, --- Close, Chuck
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This generously illustrated book examines Photorealism in contemporary art from its roots in the late 1960s to today. Photorealism reintroduced straightforward representation into an art world dominated by Pop Art, Minimalism, Land Art, and Performance Art. Often misunderstood as being overtly traditional, artists at the vanguard of this important movement were trailblazers. Use of the camera as the foundation of painterly expression is common today, but in the 1970s Photorealists were embarking on a groundbreaking way of seeing and depicting the world. Drawing on major public and private collections, the book features works by the masters of Photorealism. Along with numerous illustrations, the book also includes an introductory essay by noted artist and writer Richard Kalina, and an in-depth essay by Terrie Sutlan, focusing on photorealistic watercolors and works on paper.
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Photography, Artistic --- Photography of birds --- Mylayne, Jean-Luc,
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Bourgeois, Louise --- Bourgeois, Louise, --- Criticism and interpretation. --- Exhibitions
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Painting, American --- Painters --- Painting --- Corcoran Gallery of Art
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Painting, American --- Painters --- Painting --- Corcoran Gallery of Art
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De Bruyckere, Berlinde --- Huyghe, Philip --- België --- Art --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- video art --- blankets [coverings] --- hay [material] --- human figures [visual works] --- mixed media works --- Bruyckere, De, Berlinde
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Appelt, Dieter --- Armando --- Florschuetz, Thomas --- (e.) Twin Gabriel --- Kummer, Raimund --- Lewandowsky, Via --- Rheinsberg, Raffael --- Schaerf, Eran --- Zey, Georg --- Berlin
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Liu, Hung ; Lutes, Jim ; Marshall, Kerry James ; Miller, Melissa ; Ocampo, Manuel ; Oropallo, Deborah ; Sisto, Elena ; Spero, Nancy ; Applebroog, Ida ; Aptekar, Ken ; Attie, Dotty ; Cruz Azaceta, Luis ; Baechler, Donald ; Davidson, Beattie ; Bramson, Phyllis ; Byron, Michael ; Caroompas, Carole ; Colescott, Robert ; Dingle, Kim ; Frick, Inga ; Garabedian, Charles ; Golub, Leon ; Howe, Catherine ; Humphrey, David
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