Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The eclectic visual culture of medieval Moldavia developed at the crossroads of the Latin, Greek, and Slavic traditions beginning in the 15th century. The artistic production of this networked Carpathian Mountain region reflects the creativity, complexity, and diversity of the cultural landscapes of Eastern Europe.

Art, Medieval --- Art, Moldovan. --- Architecture, Medieval --- Moldavia --- Civilization.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The eclectic visual culture of medieval Moldavia developed at the crossroads of the Latin, Greek, and Slavic traditions beginning in the 15th century. The artistic production of this networked Carpathian Mountain region reflects the creativity, complexity, and diversity of the cultural landscapes of Eastern Europe.

Art, Medieval --- Art, Moldovan. --- Architecture, Medieval --- Moldavia --- Civilization.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Inside Christian churches, natural light has long been harnessed to underscore theological, symbolic, and ideological statements. In this volume, twenty-four international scholars with various specialties explore how the study of sunlight can reveal essential aspects of the design, decoration, and function of medieval sacred spaces.Themes covered include the interaction between patrons, advisors, architects, and artists, as well as local negotiations among competing traditions that yielded new visual and spatial constructs for which natural light served as a defining and unifying factor. The study of natural light in medieval churches reveals cultural relations, knowledge transfer patterns, processes of translation and adaptation, as well as experiential aspects of sacred spaces in the Middle Ages.Contributors are: Anna Adashinskaya, Jelena Bogdanovic, Debanjana Chatterjee, Ljiljana avic, Aleksandar uakovic, Dusan Danilovic, Magdalena Dragovic, Natalia Figueiras Pimentel, Leslie Forehand, Jacob Gasper, Vera Henkelmann, Gabriel-Dinu Herea, Vladimir Ivanovici, Charles Kerton, Jorge Lpez Quiroga, Anastasija Martinenko, Andrea Mattiello, Rubn G. Mendoza, Dimitris Minasidis, Maria Paschali, Marko Pejic, Iakovos Potamianos, Maria Shevelkina, Alice Isabella Sullivan, Travis Yeager, and Olga Yunak.

Architecture

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"How have the concepts of "lateness" and "modernity" inflected the study of medieval and early modern architecture? This volume seeks to (re)situate monuments from the 14th-16th centuries that are indebted to medieval building practices and designs within the more established narratives of art and architectural history. Drawing on case studies from Cyprus to the Dominican Republic, the book explores historiographical, methodological, and theoretical concerns related to the study of medieval architecture, bringing to the fore the meanings and functions of the Gothic in specific contexts of use and display. The development of local styles relative to competing traditions, and instances of coexistence and hybridization, are considered in relation to workshop practices and design theory, the role of ornament, the circulation of people and knowledge, spatial experiences, as well as notions of old and new. Contributors are: Jakub Adamski, Flaminia Bardati, Costanza Beltrami, Robert Bork, Jana Gajdošová, Maile S. Hutterer, Jacqueline Jung, Alice Klima, Abby McGehee, Paul Niell, Michalis Olympios, Zachary Stewart, Alice Isabella Sullivan, Kyle G. Sweeney, and Marek Walczak"--

Architecture, Gothic. --- Architecture --- Building --- New and old in art. --- Historiography. --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

Civilisation --- Art byzantin --- Art, Medieval --- Art, Byzantine --- Danube River Region --- History. --- Civilization. --- Literatures --- History and criticism.