Listing 1 - 10 of 16 | << page >> |
Sort by
|
Choose an application
Study of how the memorials created in Oklahoma City and at the World Trade Center site raise questions about the relationship between cultural memory and consumerism.
11 september 2001 [Terroristische aanslagen van ] --- 11 septembre 2001 [Attaques terroristes du ] --- 9/11 Terrorist Attacks, 2001 --- Aanslagen op het World Trade Center en het Pentagon, 2001 --- American national characteristics --- Amerikaans volkskarakter --- Attaques terroristes du 11 septembre, 2001 --- Attentat d'Oklahoma City, 1995 --- Attentats terroristes du World Trade Center et du Pentagon, 2001 --- Bomaanslag in Oklahoma City, 1995 --- Caractéristiques nationales américaines --- National characteristics [American ] --- Oklahoma City Federal Building bombing, 1995 --- Pentagon (Va.) Terrorist Attack, 2001 --- Pentagon [Attaque terroriste du ], 2001 --- Pentagon [Terroristische aanslag op het ], 2001 --- Pentagon-World Trade Center Terrorist Attacks, 2001 --- Sept. 11 Terrorist Attacks, 2001 --- September 11 Terror Attacks, 2001 --- September 11 Terrorism, 2001 --- September 11 terrorist attacks, 2001 --- Terrorist Attacks, September 11, 2001 --- Terroristische aanslagen, 11 september 2001 --- Tours jumelles [Attaque terroriste des ], 2001 --- Twin towers [Terrorist attack ], 2001 --- Twin towers [Terroristische aanslag op de ], 2001 --- Volkskarakter [Amerikaans ] --- World Trade Center (New York, N.Y.) Terrorist Attack, 2001 --- World Trade Center [Attaque terroriste du ], 2001 --- World Trade Center [Terroristische aanslag op het ], 2001 --- World Trade Center-Pentagon Terrorist Attacks, 2001 --- 866 Herdenking en herinnering --- 864 (Vredes)toerisme --- Collective memory --- Consumption (Economics) --- National characteristics, American. --- Oklahoma City Federal Building Bombing, Oklahoma City, Okla., 1995. --- Popular culture --- Psychic trauma --- September 11 Terrorist Attacks, 2001. --- Souvenirs (Keepsakes) --- Social aspects --- National characteristics, American --- Oklahoma City Federal Building Bombing, Oklahoma City, Okla., 1995 --- September 11 Terrorist Attacks, 2001 --- Keepsakes (Souvenirs) --- Mementos --- Memorabilia --- Collectibles --- 911 Terrorist Attacks, 2001 --- Attack on America, 2001 (September 11 Terrorist Attacks) --- Nine-Eleven Terrorist Attacks, 2001 --- Hijacking of aircraft --- Terrorism --- Emotional trauma --- Injuries, Psychic --- Psychic injuries --- Trauma, Emotional --- Trauma, Psychic --- Psychology, Pathological --- Alfred P. Murrah Federal Building Bombing, Oklahoma City, Okla., 1995 --- Bombing of the Oklahoma City Federal Building, Oklahoma City, Okla., 1995 --- Murrah Federal Building Bombing, Oklahoma City, Okla., 1995 --- Bombings --- Consumer demand --- Consumer spending --- Consumerism --- Spending, Consumer --- Demand (Economic theory) --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- United States
Choose an application
AIDS (Disease) --- Memory --- Motion pictures and history. --- Persian Gulf War, 1991 --- Political culture --- Popular culture --- Television and history --- Vietnam War, 1961-1975 --- Political aspects --- Influence. --- History --- Motion pictures and history --- Sida --- Mémoire --- Cinéma et histoire --- Guerre du golfe Persique, 1991 --- Culture politique --- Culture populaire --- Télévision et histoire --- Guerre du Viêt-nam, 1961-1975 --- Influence --- Aspect politique --- Histoire
Choose an application
Marita Sturken --- film --- filmgeschiedenis --- Scott Ridley --- 791.471 SCOTT
Choose an application
Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events.Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall-one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war-is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.
Memory --- Political Culture --- Vietnam War, 1961-1975 --- Persian Gulf War, 1991 --- Aids (Disease) --- Psychology --- Political Science --- History --- Medical --- Political culture --- Vietnam war, 1961-1975 --- Persian gulf war, 1991 --- Aids (disease) --- Political science --- Anthropology.
Choose an application
'Terrorism in American Memory' argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, America has veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory.
Collective memory --- Memorials --- Museums --- September 11 Terrorist Attacks, 2001 --- Terrorism --- SOCIAL SCIENCE / Media Studies. --- Social aspects. --- History --- Afghanistan. --- Architecture. --- Capitol. --- Covid-19. --- Empire. --- Iraq. --- Lynching. --- Memory. --- Nation. --- Post-9/11. --- Race. --- Terrorism. --- audio. --- city. --- consumerism. --- digital. --- domestic Terrorism. --- erasure. --- exhibition. --- finance. --- gift shop. --- justice. --- memorial. --- memorials. --- memory. --- modernism. --- museum. --- nation. --- neoliberalism. --- objects. --- photography. --- real estate. --- scale. --- security. --- segregation. --- skyscraper. --- slavery. --- steel. --- terrorism. --- voids. --- war. --- Acts of terrorism --- Attacks, Terrorist --- Global terrorism --- International terrorism --- Political terrorism --- Terror attacks --- Terrorist acts --- Terrorist attacks --- World terrorism --- Direct action --- Insurgency --- Political crimes and offenses --- Subversive activities --- Political violence --- Terror --- Public institutions --- Cabinets of curiosities --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- United States. --- United States --- Social conditions --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- É.-U. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- ÉU --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA
Choose an application
Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis.Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema.In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo. (Provided by publisher)
Choose an application
Choose an application
History of civilization --- Photography --- visual perception --- Physiology of nerves and sense organs --- Sociology of culture --- Semiotics --- Art and society. --- Communication and culture. --- Culture. --- Popular culture. --- Visual communication. --- Visual perception.
Choose an application
Visual sociology. --- Art and society. --- Communication and culture. --- Popular culture. --- Sociologie visuelle --- Art et société --- Communication et culture --- Culture populaire --- #KVHA:Media --- #KVHA:Journalistiek --- #KVHA:Beeldcultuur --- Culture. --- Visual communication. --- Visual perception. --- Art et société --- Art and society --- Communication and culture --- Culture --- Popular culture --- Visual communication --- Visual perception --- Culture and communication --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Cultural sociology --- Sociology of culture --- Civilization --- Art --- Art and sociology --- Society and art --- Sociology and art --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Graphic communication --- Imaginal communication --- Pictorial communication --- Social aspects --- Psychological aspects
Choose an application
"Practices of Looking, Third Edition, bridges visual, communication, media, and cultural studies to investigate how images and the activity of looking carry meaning within and between different arenas in everyday life. The third edition has been updated to represent the contemporary visual cultural landscape and includes topics like the increasingly rapid global circulation of media, the rise of design and DIY cultures, digital media art and activism, and challenges to photojournalism and news media. Challenging yet accessible, Practices of Looking, Third Edition, is ideal for courses across a range of disciplines."-- Publisher's website
Art and society. --- Communication and culture. --- Culture. --- Popular culture. --- Visual communication. --- Visual perception. --- Art and society --- Culture --- Visual perception --- Visual communication --- Popular culture --- Communication and culture --- 905.2 --- kunsteducatie --- semiotiek --- kunsttheorie --- betekenis --- communicatie --- symbolen --- symboliek --- beeldcultuur --- visuele geletterdheid --- visual literacy --- Culture and communication --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Graphic communication --- Imaginal communication --- Pictorial communication --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Cultural sociology --- Sociology of culture --- Civilization --- Art --- Art and sociology --- Society and art --- Sociology and art --- cultuurfilosofie, -psychologie en -sociologie --- Psychological aspects --- Social aspects --- Semiotics
Listing 1 - 10 of 16 | << page >> |
Sort by
|