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Hommes dans le cinéma --- Mannen in de film --- Men in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Cinéma --- Rôle selon le sexe --- Hommes -- Au cinéma --- Men in motion pictures. --- Sex role in motion pictures. --- Thèmes, motifs --- Au cinéma --- Barrymore, John, --- Valentino, Rudolph, --- Chaney, Lon, --- Fairbanks, Douglas, --- Thèmes, motifs. --- Au cinéma.
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Masochism in motion pictures. --- Motion pictures --- Women in motion pictures. --- Feminism and motion pictures. --- Motion picture audiences --- Psychoanalysis and motion pictures. --- #SBIB:309H526 --- #SBIB:309H1320 --- Motion pictures and psychoanalysis --- Motion pictures and feminism --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics. --- Psychology. --- Psychologie van de audiovisuele boodschap --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- Von Sternberg, Josef, --- Dietrich, Marlene --- Sternberg, Jo, --- Sternberg, Jonas, --- Sternberg, Josef, --- Sternberg, Josef von, --- Losch, Maria Magdalene von --- Dietrich, Maria Magdalene --- Von Losch, Maria Magdalene --- Dietrich, Maria Magdalena --- Dietrich, Lena --- Sieber, Marlene --- Dietrich, Marie Magdalene --- Losch, Marie Magdalene von --- Dietrich, Madeleine --- Criticism and interpretation. --- Paramount Pictures Corporation. --- Gulf & Western Industries. --- Paramount Pictures (1949- ) --- Paramount Pictures, Inc. --- Feminism and motion pictures --- Masochism in motion pictures --- Psychoanalysis and motion pictures --- Women in motion pictures --- Psychology --- Aesthetics --- Von Sternberg, Josef --- Paramount Players
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Film --- Aesthetics --- Sternberg, von, Josef --- Dietrich, Marlene --- United States --- United States of America --- CINEMA --- COMPAGNIES DE PRODUCTION ET STUDIOS --- DIETRICH, MARLENE (MARIA MAGDALENA DIETRICH, DITE) [ACTRICE] (1901-1992) --- ESTHETIQUE DU CINEMA --- FEMINISME ET LE CINEMA --- HOLLYWOOD --- SADISME - MASOCHISME DANS LES FILMS --- STERNBERG, JOSEPH (DIT VON) (1894-1969) --- STUDIOS PARAMOUNT --- ALLEMAGNE --- ETATS-UNIS --- CRITIQUE ET INTERPRETATION
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In Precocious Charms, Gaylyn Studlar examines how Hollywood presented female stars as young girls or girls on the verge of becoming women. Child stars are part of this study but so too are adult actresses who created motion picture masquerades of youthfulness. Studlar details how Mary Pickford, Shirley Temple, Deanna Durbin, Elizabeth Taylor, Jennifer Jones, and Audrey Hepburn performed girlhood in their films. She charts the multifaceted processes that linked their juvenated star personas to a wide variety of cultural influences, ranging from Victorian sentimental art to New Look fashion, from nineteenth-century children's literature to post-World War II sexology, and from grand opera to 1930's radio comedy. By moving beyond the general category of "woman," Precocious Charms leads to a new understanding of the complex pleasures Hollywood created for its audience during the half century when film stars were a major influence on America's cultural imagination.
Child actors --- Motion pictures --- Teenage girls in motion pictures. --- Girls in motion pictures. --- Children as actors --- Actors --- History --- Adolescentes --- Enfants acteurs --- Cinéma --- Au cinéma. --- Histoire et critique. --- actresses. --- american culture. --- audrey hepburn. --- child actors. --- child stars. --- cinema studies. --- classical hollywood. --- cultural history. --- cultural imagination. --- deanna durbin. --- elizabeth taylor. --- female stars. --- film historians. --- film history. --- film industry. --- film scholars. --- film studies. --- girlhood. --- historical. --- hollywood image. --- hollywood women. --- jennifer jones. --- mary pickford. --- new look fashion. --- personas. --- sexology. --- shirley temple. --- victorian. --- women and girls. --- youthfulness.
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Fresh perspectives on some of the most influential films of John Ford.The Western is arguably the most popular and enduring form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. films, from Star Wars to Taxi Driver.In John Ford Made Westerns, nine major essays by prominent scholars of Hollywood film situate the sound-era
Ford, John. --- Film --- Music, Dance, Drama & Film --- Westerns --- Histoire et critique. --- Ford, John, --- Critique et interprétation --- Filmographie --- O'Feeney, Sean, --- O'Fearna, Sean Aloysius, --- O'Fienne, Sean Aloysius, --- Feeney, John Martin, --- Ford, Jack, --- Ford, John --- O'Feeney, Sean --- O'Fearna, Sean Aloysius --- O'Fienne, Sean Aloysius --- Feeney, John Martin --- Ford, Jack
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Men in motion pictures --- Huston, John, --- Criticism and interpretation.
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Titanic (Film: 1997) --- Titanic (Motion picture: 1997) --- Titanic (paquebot) --- Au cinéma --- Cameron, James, --- Critique et interprétation --- Titanic (film) --- Titanic (Motion picture : 1997) --- Au cinéma. --- Cameron, James --- Critique et interprétation.
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