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Struth, Thomas --- Architectural photography --- -Cities and towns --- -Streets --- -Avenues --- Boulevards --- Thoroughfares --- Roads --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Human settlements --- Sociology, Urban --- Photography, Architectural --- Photography of architecture --- Photography of buildings --- Photography --- Exhibitions --- Pictorial works --- -Exhibitions --- Cities and towns --- Streets --- Avenues --- Pictorial works&delete& --- Struth, Thomas, --- Exhibitions.
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Sculpture --- sculpting --- stone [worked rock] --- Rückriem, Ulrich --- Germany
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Unconscious Places presents Thomas Struth's photographs of streets in all parts of the world: narrow lanes in Edinburgh and Naples, satellite towns in Pyongyang, thoroughfares in Lima and Los Angeles, grand boulevards in St. Petersburg, New York, and Beijing. Frequently devoid of people, Struth's urban landscapes are also a critical depiction of different human habitats.
fotografie --- photography [process] --- Photography --- Struth, Thomas --- documentaire fotografie --- stadsfotografie --- twintigste eeuw --- eenentwintigste eeuw --- Duitsland --- Struth Thomas --- 77.071 STRUTH --- Photography, Artistic --- Street photography --- Travel photography --- Cities and towns --- Cityscape photography --- Outdoor photography
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Struth, Thomas --- Photography of families --- Portrait photography --- 77.071 STRUTH --- CDL --- Families --- Exhibitions --- Struth, Thomas, --- Exhibitions. --- 1954 --- -Exhibitions
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Thomas Struth is one of the best-known photographers to come out of the school of Bernd and Hilla Becher. In this celebrated volume, Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions-devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as “unconscious places”-environments that are imbued with meaning only by the viewer. Captured with exquisite technical prowess and presented with powerful, restrained neutrality, Struth’s images allow us to fully appreciate a city’s character-from its telephone wires above to the pavement below. Renowned sociologist Richard Sennett’s illuminating essay reveals how Struth’s sober, lucid photography leads the viewer to create their own conclusions, rather than forcing a perspective. The resulting interplay among photographer, viewer, and landscape may hold the key to understanding how architecture affects our daily lives.
Photography, Artistic --- Street photography. --- Struth, Thomas, --- Photography --- cities --- straatfotografie --- Struth, Thomas --- Street photography --- Cities and towns --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Cityscape photography --- Outdoor photography --- Aesthetics
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Struth, Thomas --- Tuinen ; Versailles --- fotografie --- documentaire fotografie --- natuurfotografie --- landschapsfotografie --- bossen --- wouden --- jungles --- Duitsland --- Struth Thomas --- eenentwintigste eeuw --- twintigste eeuw --- 77.071 STRUTH --- Exhibitions
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Struth, Thomas --- fotografie --- portretfotografie --- Duitsland --- twintigste eeuw --- eenentwintigste eeuw --- Struth Thomas --- 77.071 STRUTH --- Exhibitions
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