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Book
Futures of enlightenment poetry
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ISBN: 9780198857792 Year: 2020 Publisher: New York (N.Y.) : Oxford university press,

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This book offers a revisionist account of poetry and embodiment from Milton to Romanticism. Scholars have made much of the period's theories of matter, with some studies equating the eighteenth century's modernity with its materialism. Yet the Enlightenment in Britain also brought bold new arguments for the immateriality of spirit and evocative claims about an imminent spirit realm. Protestant religious writing was of two minds about futurity, swinging back and forth between patience for the resurrected body and desire for the released soul. This ancient pattern carried over, the book argues, into understandings of poetry as a modern devotional practice. 0A range of authors agreed that poems can provide a foretaste of the afterlife, but they disagreed about what kind of future state the imagination should seek. The mortalist impulse-exemplified by John Milton and by Romantic poets Anna Letitia Barbauld and William Wordsworth-is to overcome the temptation of disembodiment and to restore spirit to its rightful home in matter. The spiritualist impulse-driving eighteenth-century verse by Mark Akenside, Elizabeth Singer Rowe, and Edward Young-is to break out of bodily repetition and enjoy the detached soul's freedom in advance. Although the study isolates these two tendencies, each needed the other as a source in the Enlightenment, and their productive opposition didn't end with Romanticism. The final chapter identifies an alternative Romantic vision that keeps open the possibility of a disembodied poetics, and the introduction considers present-day Anglophone writers who put it into practice. "This book offers a revisionist account of poetry and embodiment from Milton to Romanticism. Scholars have made much of the period's theories of matter, with some studies equating the eighteenth century's modernity with its materialism. Yet the Enlightenment in Britain also brought bold new arguments for the immateriality of spirit and evocative claims about an imminent spirit realm. Protestant religious writing was of two minds about futurity, swinging back and forth between patience for the resurrected body and desire for the released soul. This ancient pattern carried over, the book argues, into understandings of poetry as a modern devotional practice. A range of authors agreed that poems can provide a foretaste of the afterlife, but they disagreed about what kind of future state the imagination should seek. The mortalist impulse-exemplified by John Milton and by Romantic poets Anna Letitia Barbauld and William Wordsworth-is to overcome the temptation of disembodiment and to restore spirit to its rightful home in matter. The spiritualist impulse-driving eighteenth-century verse by Mark Akenside, Elizabeth Singer Rowe, and Edward Young-is to break out of bodily repetition and enjoy the detached soul's freedom in advance. Although the study isolates these two tendencies, each needed the other as a source in the Enlightenment, and their productive opposition didn't end with Romanticism. The final chapter identifies an alternative Romantic vision that keeps open the possibility of a disembodied poetics, and the introduction considers present-day Anglophone writers who put it into practice"--

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Book
Women's Periodicals and Print Culture in Britain, 1690-1820s

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This innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth century. This innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth century

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