Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Introduction : devotional modes of becoming in late medieval York -- Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claiming devotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy, entrainment, and devotional instability -- Coda : medieval sensual piety and a few 21st-century religious rhythms.
Theater --- Christian drama, English (Middle) --- Mysteries and miracle-plays, English --- English drama --- Rites and ceremonies, Medieval --- Christianity and literature --- Devotie. --- Beeldende kunsten. --- Visualisatie. --- History --- History and criticism --- York (England) --- York. --- Religious life and customs. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Medieval rites and ceremonies --- Civilization, Medieval --- English miracle-plays --- English mysteries and miracle-plays --- Literature and Christianity --- Literature --- Christian literature --- Christian drama, English --- Christian drama, Middle English --- English Christian drama, Middle --- Middle English Christian drama --- York plays. --- York cycle of mystery plays --- York mysteries --- York Corpus Christi plays --- York mystery plays --- York play --- York Corpus Christi play --- York, Eng. --- York (North Yorkshire) --- Eboracum (England) --- Eoforwic (England) --- Jorvik (England) --- City of York (England) --- Jorvic (England) --- Eburacum (England) --- Yerk (England) --- Yourke (England) --- Yarke (England) --- York Unitary Authority (England) --- York (England : Unitary authority)
Choose an application
The End is always near. The Apocalypse has sparked imaginations for millennia, while in more recent times, highly publicized predictions have thrust End-Time theology briefly into the spotlight. In the 21st century, fictional depictions of various apocalyptic scenarios are found in an endless stream of films, TV shows, and novels, while real-world media coverage of global issues including climate change and the migrant crisis often features an apocalyptic tone. Feeling the Future at Christian End-Time Performances explores this prevalent human desire to envision the End by analyzing how various live End-Time performances allow people to live in and through future time. The book's main focus is contemporary Christian End-Time performances and how they theatrically construct encounters with future time-not just images or ideas of a future, but viscerally and immediately real experiences of future time. Author Jill Stevenson's examples are Hell Houses and Judgement Houses; Rapture House, a similarly styled "walk through drama" in North Carolina; Hell's Gates, an "outdoor reality drama" in Dawsonville, Georgia; Ark Encounter, a full-size recreation of Noah's Ark; and Tribulation Trail, an immersive thirteen-scene drama ministry based on the Book of Revelation. The book's coda considers similarities between these Christian performances and secular survivalist prepper events, especially with respect to constructions of and language about time. In doing so, the author situates these performances within a larger tradition that challenges traditional secular/sacred distinctions and illuminates how the End Times has been employed in our current social and political moment.
Eschatology. --- Christianity and culture --- Amusements --- Popular culture --- History --- Religious aspects --- Christianity --- Religious aspects --- Christianity
Choose an application
The essays in this collection explore the thresholds between the visual and verbal, the sensory and performative, the literal and metaphorical, the social and epistemological that shaped the cultural matrix of the Middle Ages. The contributors' interrelated interests in patronage, word-image relationships, reception theory, gender studies, close visual and textual analysis, and performance criticism make for a valuable interdisciplinary mix that highlights the importance of studying medieval material culture in its many manifestations and valences. The book benefits from the ambitious cross-disciplinary explorations and engagements with contemporary theory undertaken in the field of medieval studies in recent decades, especially those by Pamela Sheingorn, to whom the volume is dedicated.
History of civilization --- Art --- anno 500-1499 --- Europe --- Art, Medieval. --- Material culture --- Visual communication --- Manuscripts, Medieval --- History --- History. --- 091.31 --- Verluchte handschriften --- 091.31 Verluchte handschriften --- Material culture - History - To 1500. --- Visual communication - History - To 1500. --- Manuscripts, Medieval - History.
Choose an application
This anthology explores how theatre and performance use home as the prism through which we reconcile shifts in national, cultural, and personal identity. Whether examining parlor dramas and kitchen sink realism, site-specific theatre, travelling tent shows, domestic labor, border performances, fences, or front yards, these essays demonstrate how dreams of home are enmeshed with notions of neighborhood, community, politics, and memory. Recognizing the family home as a symbolic space that extends far beyond its walls, the nine contributors to this collection study diverse English-language performances from the US, Ireland, and Canada. These scholars of theatre history, dramaturgy, performance, cultural studies, feminist and gender studies, and critical race studies also consider the value of home at a time increasingly defined by crises of homelessness — a moment when major cities face affordable housing shortages, when debates about homeland and citizenship have dominated international elections, and when conflicts and natural disasters have displaced millions. Global struggles over immigration, sanctuary, refugee status and migrant labor make the stakes of home and homelessness ever more urgent and visible, as this timely collection reveals.
Theater. --- Performing arts. --- Contemporary Theatre. --- Performing Arts. --- National/Regional Theatre and Performance. --- Show business --- Arts --- Performance art --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors
Choose an application
Theater --- Performance art. --- Evangelicalism in literature. --- Evangelicalism --- Evangelical religion --- Protestantism, Evangelical --- Evangelical Revival --- Fundamentalism --- Pietism --- Protestantism --- Arts, Modern --- Happenings (Art) --- Performing arts --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Religious aspects. --- History --- Moral and religious aspects
Choose an application
This anthology explores how theatre and performance use home as the prism through which we reconcile shifts in national, cultural, and personal identity. Whether examining parlor dramas and kitchen sink realism, site-specific theatre, travelling tent shows, domestic labor, border performances, fences, or front yards, these essays demonstrate how dreams of home are enmeshed with notions of neighborhood, community, politics, and memory. Recognizing the family home as a symbolic space that extends far beyond its walls, the nine contributors to this collection study diverse English-language performances from the US, Ireland, and Canada. These scholars of theatre history, dramaturgy, performance, cultural studies, feminist and gender studies, and critical race studies also consider the value of home at a time increasingly defined by crises of homelessness — a moment when major cities face affordable housing shortages, when debates about homeland and citizenship have dominated international elections, and when conflicts and natural disasters have displaced millions. Global struggles over immigration, sanctuary, refugee status and migrant labor make the stakes of home and homelessness ever more urgent and visible, as this timely collection reveals.
Choose an application
Listing 1 - 7 of 7 |
Sort by
|