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"The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"
Sound --- Hearing. --- Listening. --- Son --- Ouïe --- Ecoute (Psychologie) --- Recording and reproducing --- History. --- Social aspects --- Enregistrement et reproduction --- Histoire --- Aspect social --- Hearing --- Listening --- History --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Sound studies ; handboeken --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 78 --- Kunst ; theorie, filosofie, esthetica --- Music --- Social science --- Social aspects. --- Recording & Reproduction. --- Media Studies. --- Ouïe --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Auding --- Attention --- Comprehension --- Educational psychology --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound - Recording and reproducing - Social aspects
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The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave-robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.
Sound --- Sound recording industry --- Sound in mass media --- Sound recordings --- Popular culture --- Recording and reproducing --- History --- Social aspects --- Culture populaire. --- Enregistrements sonores --- Geluidsweergave. --- Klangerzeugung. --- Kultur. --- Populaire cultuur. --- Popular culture. --- Schallaufzeichnung. --- Sociale aspecten. --- Son dans les médias. --- Son --- Sound in mass media. --- Technische vernieuwing. --- Aspect social. --- Industrie --- Enregistrement et reproduction --- Histoire. --- Social aspects. --- History. --- Recording and reproducing. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Mass media --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s. MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures--and the need for content to fit inside them--are every bit as central to communication as the boxes we call "media."
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Sound --- Music appreciation --- Sound recordings --- Son --- Musique --- Enregistrements sonores --- Recording and reproducing --- Enregistrement et reproduction --- Appréciation --- Sound recording industry --- Sound in mass media --- Popular culture --- History --- Social aspects --- Industrie de la musique et du son --- Écoute musicale (pratique) --- Aspect social --- Histoire --- Appréciation --- Music appreciation. --- Enregistrements sonores. --- Aspect social. --- Histoire. --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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Essential Medical Statistics is a classic amongst medical statisticians. An introductory textbook, it presents statistics with a clarity and logic that will demystify the subject, while providing a comprehensive coverage of advanced as well as basic methods. Book overviewThe second edition of Essential Medical Statistics has been comprehensively revised and updated to include modern statistical methods and modern approaches to statistical analysis, while retaining the approachable and non-mathematical style of the first edition. The book now includes full coverage of the most commonly used regression models, multiple linear regression, logistic regression, Poisson regression and Cox regression, as well as a chapter on general issues in regression modelling. In addition, new chapters introduce more advanced topics such as meta-analysis, likelihood, bootstrapping and robust standard errors, and analysis of clustered data. Aimed at students of medical statistics, medical researchers, public health practitioners and practising clinicians using statistics in their daily work, the book is designed as both a teaching and a reference text. The format of the book is clear with highlighted formulae and worked examples, so that all concepts are presented in a simple, practical and easy-to-understand way. The second edition enhances the emphasis on choice of appropriate methods with new chapters on strategies for analysis and measures of association and impact.
Biomathematics. Biometry. Biostatistics --- Mathematical statistics --- Human medicine --- Medical statistics --- Statistics --- Biometry --- Medicine --- Research --- Statistical methods --- Medical statistics. --- Statistics as Topic. --- Biometry. --- Statistical methods. --- Statistics. --- Area Analysis --- Estimation Technics --- Estimation Techniques --- Indirect Estimation Technics --- Indirect Estimation Techniques --- Multiple Classification Analysis --- Service Statistics --- Statistical Study --- Statistics, Service --- Tables and Charts as Topic --- Analyses, Area --- Analyses, Multiple Classification --- Area Analyses --- Classification Analyses, Multiple --- Classification Analysis, Multiple --- Estimation Technic, Indirect --- Estimation Technics, Indirect --- Estimation Technique --- Estimation Technique, Indirect --- Estimation Techniques, Indirect --- Indirect Estimation Technic --- Indirect Estimation Technique --- Multiple Classification Analyses --- Statistical Studies --- Studies, Statistical --- Study, Statistical --- Technic, Indirect Estimation --- Technics, Estimation --- Technics, Indirect Estimation --- Technique, Estimation --- Technique, Indirect Estimation --- Techniques, Estimation --- Techniques, Indirect Estimation --- Anthropology, Physical --- Statistics as Topic --- Health Workforce --- Health --- Health statistics --- Research&delete& --- Médecine --- Statistique médicale --- Recherche --- Méthodes statistiques --- BIOMETRY --- Medicine - Research - Statistical methods
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Mathematical statistics --- Statistics --- Statistique --- Statistics as Topic --- Meta-Analysis as Topic --- Computer programs. --- Logiciels --- Stata. --- Statistics as Topic. --- Meta-Analysis as Topic.
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Une vingtaine d'années d'existence… mais plus d'un siècle d'histoire : telle est l'intrigue de ce livre, dans lequel Jonathan Sterne propose un décodage politique et culturel du format MP3. Là où son Histoire de la modernité sonore (2015) nous guidait à travers les origines de la reproduction sonore au XIXe siècle, l'auteur poursuit ici sa généalogie des techniques en montrant que la compression du son, bien plus qu'une simple invention fonctionnelle, se présente comme un projet partagé par des chercheurs et des industriels tout au long du XXe siècle. Il en découle un regard neuf sur le rôle des industries culturelles et le statut de pratiques telles que le piratage, mais aussi sur les tests d'écoute réalisés par les membres du Moving Picture Experts Group (MPEG) et la représentation de la communauté des auditeurs. Si, comme le soutient Jonathan Sterne, l'ombre d'un auditeur « idéal » est codée dans chaque fichier MP3, qui dès lors écoute à notre place ? Dispositif technique innovant, emblème social d'une culture de l'accès, le fichier MP3 est aussi un problème philosophique, le lieu d'une théorie de la subjectivité humaine compressée, où les limites sensorielles de l'écoute se transforment en potentiel économique.
MP3 (Audio coding standard) --- Sound --- Sound in mass media --- MP3 (Norme de codage audio) --- Son --- Son dans les médias --- Recording and reproducing --- Digital techniques --- Enregistrement et reproduction --- Techniques numériques --- Compositie door computer (Muziek) --- Computerprogramma's --- 78 --- MP3 (norme de codage audio) --- Médias numériques --- Psychoacoustique --- Psychoacoustics
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