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"The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--
Sound --- Hearing. --- Listening. --- Son --- Ouïe --- Ecoute (Psychologie) --- Recording and reproducing --- History. --- Social aspects --- Enregistrement et reproduction --- Histoire --- Aspect social --- Hearing --- Listening --- History --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Sound studies ; handboeken --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 78 --- Kunst ; theorie, filosofie, esthetica --- Music --- Social science --- Social aspects. --- Recording & Reproduction. --- Media Studies. --- Ouïe --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Auding --- Attention --- Comprehension --- Educational psychology --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound - Recording and reproducing - Social aspects
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Machines to hear for them -- Techniques of listening -- Audible technique and media -- Plastic aurality: technologies into media -- The social genesis of sound fidelity -- A resonant tomb -- Conclusion: Audible futures.
Sound --- Sound recording industry --- Sound in mass media --- Sound recordings --- Popular culture --- Recording and reproducing --- History --- Social aspects --- Culture populaire. --- Enregistrements sonores --- Geluidsweergave. --- Klangerzeugung. --- Kultur. --- Populaire cultuur. --- Popular culture. --- Schallaufzeichnung. --- Sociale aspecten. --- Son dans les médias. --- Son --- Sound in mass media. --- Technische vernieuwing. --- Aspect social. --- Industrie --- Enregistrement et reproduction --- Histoire. --- Social aspects. --- History. --- Recording and reproducing. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Mass media --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s. MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures--and the need for content to fit inside them--are every bit as central to communication as the boxes we call "media."
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Mathematical statistics --- Statistics --- Statistique --- Statistics as Topic --- Meta-Analysis as Topic --- Computer programs. --- Logiciels --- Stata. --- Statistics as Topic. --- Meta-Analysis as Topic.
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Sound --- Music appreciation --- Sound recordings --- Son --- Musique --- Enregistrements sonores --- Recording and reproducing --- Enregistrement et reproduction --- Appréciation --- Sound recording industry --- Sound in mass media --- Popular culture --- History --- Social aspects --- Industrie de la musique et du son --- Écoute musicale (pratique) --- Aspect social --- Histoire --- Appréciation --- Music appreciation. --- Enregistrements sonores. --- Aspect social. --- Histoire. --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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Essential Medical Statistics is a classic amongst medical statisticians. An introductory textbook, it presents statistics with a clarity and logic that will demystify the subject, while providing a comprehensive coverage of advanced as well as basic methods. Book overviewThe second edition of Essential Medical Statistics has been comprehensively revised and updated to include modern statistical methods and modern approaches to statistical analysis, while retaining the approachable and non-mathematical style of the first edition. The book now includes full coverage of the most commonly used regression models, multiple linear regression, logistic regression, Poisson regression and Cox regression, as well as a chapter on general issues in regression modelling. In addition, new chapters introduce more advanced topics such as meta-analysis, likelihood, bootstrapping and robust standard errors, and analysis of clustered data. Aimed at students of medical statistics, medical researchers, public health practitioners and practising clinicians using statistics in their daily work, the book is designed as both a teaching and a reference text. The format of the book is clear with highlighted formulae and worked examples, so that all concepts are presented in a simple, practical and easy-to-understand way. The second edition enhances the emphasis on choice of appropriate methods with new chapters on strategies for analysis and measures of association and impact.
Biomathematics. Biometry. Biostatistics --- Mathematical statistics --- Human medicine --- Medical statistics --- Statistics --- Biometry --- Medicine --- Research --- Statistical methods --- Medical statistics. --- Statistics as Topic. --- Biometry. --- Statistical methods. --- Statistics. --- Area Analysis --- Estimation Technics --- Estimation Techniques --- Indirect Estimation Technics --- Indirect Estimation Techniques --- Multiple Classification Analysis --- Service Statistics --- Statistical Study --- Statistics, Service --- Tables and Charts as Topic --- Analyses, Area --- Analyses, Multiple Classification --- Area Analyses --- Classification Analyses, Multiple --- Classification Analysis, Multiple --- Estimation Technic, Indirect --- Estimation Technics, Indirect --- Estimation Technique --- Estimation Technique, Indirect --- Estimation Techniques, Indirect --- Indirect Estimation Technic --- Indirect Estimation Technique --- Multiple Classification Analyses --- Statistical Studies --- Studies, Statistical --- Study, Statistical --- Technic, Indirect Estimation --- Technics, Estimation --- Technics, Indirect Estimation --- Technique, Estimation --- Technique, Indirect Estimation --- Techniques, Estimation --- Techniques, Indirect Estimation --- Anthropology, Physical --- Statistics as Topic --- Health Workforce --- Health --- Health statistics --- Research&delete& --- Médecine --- Statistique médicale --- Recherche --- Méthodes statistiques --- BIOMETRY --- Medicine - Research - Statistical methods
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For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.
Mass media --- Mass media --- Noise (Philosophy) --- Noise --- Headphones --- Noise control --- Information technology --- Popular culture --- Société numérique --- Technologies de l'information et de la communication --- Traitement de l'information --- Presse --- Multimédia --- Économie politique --- Son
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Mass communications --- Community organization --- Sociology of culture --- Participation. --- Social participation. --- Political participation. --- Internet --- Citizen participation --- Community action --- Community involvement --- Community participation --- Involvement, Community --- Mass political behavior --- Participation, Citizen --- Participation, Community --- Participation, Political --- Political activity --- Political behavior --- Political rights --- Social participation --- Political activists --- Politics, Practical --- Participation, Social --- Community life --- Social groups --- Philosophy --- Social aspects. --- Participation --- Political participation --- Social aspects --- Internet - Social aspects
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Une vingtaine d'années d'existence… mais plus d'un siècle d'histoire : telle est l'intrigue de ce livre, dans lequel Jonathan Sterne propose un décodage politique et culturel du format MP3. Là où son Histoire de la modernité sonore (2015) nous guidait à travers les origines de la reproduction sonore au XIXe siècle, l'auteur poursuit ici sa généalogie des techniques en montrant que la compression du son, bien plus qu'une simple invention fonctionnelle, se présente comme un projet partagé par des chercheurs et des industriels tout au long du XXe siècle. Il en découle un regard neuf sur le rôle des industries culturelles et le statut de pratiques telles que le piratage, mais aussi sur les tests d'écoute réalisés par les membres du Moving Picture Experts Group (MPEG) et la représentation de la communauté des auditeurs. Si, comme le soutient Jonathan Sterne, l'ombre d'un auditeur « idéal » est codée dans chaque fichier MP3, qui dès lors écoute à notre place ? Dispositif technique innovant, emblème social d'une culture de l'accès, le fichier MP3 est aussi un problème philosophique, le lieu d'une théorie de la subjectivité humaine compressée, où les limites sensorielles de l'écoute se transforment en potentiel économique.
MP3 (Audio coding standard) --- Sound --- Sound in mass media --- MP3 (Norme de codage audio) --- Son --- Son dans les médias --- Recording and reproducing --- Digital techniques --- Enregistrement et reproduction --- Techniques numériques --- Compositie door computer (Muziek) --- Computerprogramma's --- 78 --- MP3 (norme de codage audio) --- Médias numériques --- Psychoacoustique --- Psychoacoustics
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