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Book
Arthur Miller's Death of a salesman
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ISBN: 9401206236 1435684842 9781435684843 904202450X 9789042024502 9789401206235 904202450X 9789042024502 Year: 2008 Publisher: Amsterdam New York, NY Rodopi

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Abstract

Arthur Miller’s Death of a Salesman , the third volume in the Dialogue series, covers six major and controversial topics dealing with Miller’s classic play. The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller’s use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller’s most famous play.


Book
The seventeenth-century literature handbook
Authors: ---
ISBN: 9780826498496 9780826498502 Year: 2010 Publisher: London New York : Continuum,

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Book
The Cinema of Terry Gilliam
Authors: --- --- --- --- --- et al.
ISBN: 9780231165358 9780231165341 0231165358 023116534X 9780231850384 0231850387 Year: 2013 Volume: *4 Publisher: New York, NY

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Terry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). The frenetic genius, auteur, and social critic continues to create indelible images on screen--if, that is, he can get funding for his next project. Featuring eleven original essays from an international group of scholars, this collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention, against American hyper-consumerism and imperial militarism, against narrative vapidity and spoon-fed mediocrity, and against the brutalizing notion and cruel vision of the "American Dream."

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