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Hymns, Greek (Classical) --- Callimachus --- Gods, Greek --- Criticism and interpretation. --- Translations into English.
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When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively.The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context-within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"-no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.
Comparative literature --- Egyptian poetry --- Greek poetry, Hellenistic --- Language and culture --- Poetics --- Egyptian and Greek. --- Greek and Egyptian. --- History and criticism. --- History --- -Greek poetry, Hellenistic --- -Language and culture --- -Literature, Comparative --- -Poetics --- -Poetry --- Literature, Comparative --- Philology --- Culture and language --- Culture --- Hellenistic Greek poetry --- Greek literature, Hellenistic --- Egyptian literature --- History and criticism --- Egyptian and Greek --- Greek and Egyptian --- -Technique --- Ptolemaic dynasty --- Alexandria (Egypt) --- -Intellectual life --- Poésie grecque hellénistique --- -Poésie égyptienne --- Littérature comparée --- Langage et culture --- Histoire et critique --- Grecque et égyptienne --- Egyptienne et grecque --- Ptolemaic dynasty, --- Alexandrie (Egypte) --- Intellectual life. --- Vie intellectuelle --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Poetry --- Technique --- Ptolemies, --- alexandrian court. --- alexandrian poetry. --- alexandrian poets. --- ancient egypt. --- ancient greece. --- apollonius. --- argonautica. --- callimachus. --- egypt. --- egyptian culture. --- egyptian history. --- egyptian people. --- egyptian poetry. --- greek poetry. --- helen. --- hellenism. --- heracles. --- hiero of syracuse. --- hymns. --- literary criticism. --- literary theory. --- mythology. --- nonfiction. --- pharoah. --- poetics. --- poetry. --- political values. --- ptolemaic court. --- ptolemies. --- ptolemy philadelphus. --- regencies. --- royalty. --- rulers. --- theocritus. --- theogonies.
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Alexandria was the greatest of the new cities founded by Alexander the Great as his armies swept eastward. It was ruled by his successors, the Ptolemies, who presided over one of the richest and most productive periods in the whole of Greek literature. Susan A Stephens here reveals a cultural world in transition: reverential of the compositions of the past (especially after construction of the great library, repository for all previous Greek oeuvres), but at the same time forward-looking and experimental, willing to make use of previous forms of writing in exciting new ways. The author examines Alexandria's poets in turn. She discusses the strikingly avant-garde Aetia of Callimachus; the idealized pastoral forms of Theocritus (which anticipated the invention of fiction); and the neo-Homerian epic of Apollonius, the Argonautica, with its impressive combination of narrative grandeur and psychological acuity. She shows that all three poets were innovators, even while they looked to the past for inspiration: drawing upon Homer, Hesiod, Pindar and the lyric poets, they emphasized stories and material that were entirely relevant to their own progressive cosmopolitan environment.
Greek poetry, Hellenistic --- Poetics --- History and criticism --- Callimachus. --- Posidippus, --- Theocritus. --- Apollonius,
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"Alexandria was the greatest of the new cities founded by Alexander the Great as his armies swept eastward. It was ruled by his successors, the Ptolemies, who presided over one of the richest and most productive periods in the whole of Greek literature. Susan A Stephens here reveals a cultural world in transition: reverential of the compositions of the past (especially after construction of the great library, repository for all previous Greek oeuvres), but at the same time forward-looking and experimental, willing to make use of previous forms of writing in exciting new ways. The author examines Alexandria's poets in turn. She discusses the strikingly avant-garde Aetia of Callimachus; the idealized pastoral forms of Theocritus (which anticipated the invention of fiction); and the neo-Homerian epic of Apollonius, the Argonautica, with its impressive combination of narrative grandeur and psychological acuity. She shows that all three poets were innovators, even while they looked to the past for inspiration: drawing upon Homer, Hesiod, Pindar and the lyric poets, they emphasized stories and material that were entirely relevant to their own progressive cosmopolitan environment."--Page 4 of cover.
Greek poetry, Hellenistic --- Poetics. --- History and criticism. --- Apollonius, --- Callimachus. --- Posidippus, --- Theocritus.
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The recent discovery of fragments from such novels as Iolaos, Phoinikika, Sesonchosis, and Metiochos and Parthenope has dramatically increased the library catalogue of ancient novels, calling for a fresh survey of the field. In this volume Susan Stephens and John Winkler have reedited all of the identifiable novel fragments, including the epitomes of Iamblichos' Babyloniaka and Antonius Diogenes' Incredible Things Beyond Thule. Intended for scholars as well as nonspecialists, this work provides new editions of the texts, full translations whenever possible, and introductions that situate each text within the field of ancient fiction and that present relevant background material, literary parallels, and possible lines of interpretation.Collective reading of the fragments exposes the inadequacy of many currently held assumptions about the ancient novel, among these, for example, the paradigm for a linear, increasingly complex narrative development, the notion of the "ideal romantic" novel as the generic norm, and the nature of the novel's readership and cultural milieu. Once perceived as a late and insignificant development, the novel emerges as a central and revealing cultural phenomenon of the Greco-Roman world after Alexander.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Classical Greek literature --- Greek fiction --- Lost literature --- Roman grec --- Oeuvres perdues (Littérature) --- History and criticism --- Translations into English --- Histoire et critique --- Traduction en anglais --- Traductions en anglais --- -Greek fiction --- -Lost literature --- Greek literature --- Literature --- Greek fiction. --- History and criticism. --- Translations into English. --- Oeuvres perdues (Littérature) --- Greek fiction - Translations into English --- Greek fiction - History and criticism --- Lost literature - Greece
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"Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"--
Aesthetics, Ancient. --- Esthétique ancienne --- Callimachus --- Criticism and interpretation. --- Appreciation --- Alexandria (Egypt) --- Alexandrie (Egypte) --- Intellectual life. --- Vie intellectuelle --- Esthétique ancienne --- Aesthetics, Ancient --- Callimachus Cyrenaeus --- Callimaco --- Callimaque --- Kallimachus --- Kallimachos --- Kallimachos van Kyrene --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Arts and Humanities --- History --- Callimaque (0305?-0240? av. J.-C.) --- Critique et interprétation --- Kallimakh --- Kālīmākhūs al-Qūrīnī --- Qūrīnī, Kālīmākhūs --- Calímaco --- Kallimach --- Καλλίμαχος --- Critique et interprétation
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Ritual --- Ritual in literature --- Latin literature --- Rituel --- Rituel dans la littérature --- Littérature latine --- Congresses --- Themes, motives --- Congrès --- Thèmes, motifs --- Rome --- Religion --- Religion and literature --- History and criticism --- Conferences - Meetings --- Rituel dans la littérature --- Littérature latine --- Congrès --- Thèmes, motifs --- Literature --- Literature and religion --- Moral and religious aspects --- Congresses. --- Latin literature - History and criticism - Congresses --- Religion and literature - Rome - Congresses --- Ritual in literature - Congresses
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Speeches, addresses, etc., Greek --- -Greek orations --- Greek speeches --- History and criticism --- Greece --- Historiography. --- -History and criticism
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Athletics --- Athletics. --- Sports --- Sports. --- History --- To 1500. --- Greece. --- Rome (Empire).
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