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Protestantism --- Strasbourg (France) --- Strasbourg (France) --- Church history --- Church history
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Recent scholarship has criticized the assumption that European modernity was inherently secular. Yet, we remain poorly informed about religion's fate in the nineteenth-century big city, the very crucible of the modern condition. Drawing on extensive archival research and investigations into Protestant ecclesiastical organization, church-state relations, liturgy, pastoral care, associational life, and interconfessional relations, this study of Strasbourg following Germany's annexation of Alsace-Lorraine in 1871 shows how urbanization not only challenged the churches, but spurred them to develop new, forward-looking, indeed, urban understandings of religious community and piety. The work provides new insights into what it meant for Imperial Germany to identify itself as 'Protestant' and it provocatively identifies the European big city as an agent for sacralization, and not just secularization.
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"In August 1961, seventeen-year-old Rita Kuczynski was living with her grandmother and studying piano at a conservatory in West Berlin. Caught in East Berlin by the rise of the Berlin Wall while on a summer visit to her parents, she found herself trapped behind the Iron Curtain for the next twenty-eight years. Kuczynski's fascinating memoir relates her experiences of life in East Germany as a student, a fledgling academic philosopher, an independent writer, and, above all, as a woman. Though she was never a true believer in Communism, Rita gained entry into the circles of the East German intellectual elite through her husband Thomas Kuczynski. There, in the privileged world that she calls "the gardens of the nomenklatura," she saw first-hand the contradictions at the heart of life for the East German intelligentsia. Published in English for the very first time twenty-six years after the fall of the Berlin Wall, Wall Flower offers a rare--and critical--look at life among the East German elite. Told with wrywit and considerable candor, Kuczynski's story offers a fascinating perspective on the rise and fall of East Germany."--
Authors, German --- Elite (Social sciences) --- Elites (Social sciences) --- Leadership --- Power (Social sciences) --- Social classes --- Social groups --- Kuczynski, Rita. --- Germany (East) --- Germany (Democratic Republic, 1949- ) --- Deutsche Demokratische Republik --- Tyske demokratiske republik --- Democratic German Republic --- German Democratic Republic --- East German Democratic Republic --- East Germany (Democratic Republic) --- DDR --- Germanskai︠a︡ Demokraticheskai︠a︡ Respublika --- Nĕmecká demokratická republika --- NDR --- Nimet︠s︡ʹka Demokratychna Respublika --- GDR --- Niemiecka Republika Demokratyczna --- NRD --- Német Demokratikus Köztársaság --- NDK --- Tyska demokratiska republiken --- Östtyskland --- Republica Democrată Germană --- Repubblica democratica tedesca --- Germany (Democratic Republic) --- D.D.R. --- N.D.R. --- G.D.R. --- N.R.D. --- N.D.K. --- República Democrática Alemana --- RDA --- R.D.A. --- Ostdeutschland --- Eastern Germany --- Cộng hòa dân chủ Đức --- Germany --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Intellectual life --- Social life and customs --- 1900 - 1999
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Europe --- Civilization --- 1800-1999
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Gesamtkunstwerk (Arts) --- Arts, German --- Senses and sensation in art. --- Philosophy.
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For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.
Arts, German --- Senses and sensation in art. --- Philosophy.
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For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.
Art --- Arts, German --- Senses and sensation in art. --- Philosophy.
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