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Die vorliegende Untersuchung geht von der Frage nach der Stellung Thomas Manns in der Tradition aus, der allgemein einerseits als 'Erbe des 19. Jahrhunderts', andererseits als einer der Hauptvertreter des Modernismus der ersten Hälfte des 20. Jahrhunderts angesehen wird. Es wird hier angenommen, daß diese Frage nur durch die Untersuchung der Art der Sinnkonstitutierung in seinen Romanen - hier "Doktor Faustus" - beantwortet werden kann. Es zeigt sich, daß nicht nur die Sinnkonstituierung in den verschiedenen 'Schichten' des Romans - in der realistischen, der musikalischen und der mythischen Schicht (diese enthält außer der Faust-Geschichte auch die Deutschland-Allegorie) -, sondern auch die von Thomas Mann benutzte 'Montage-Technik' und die Verbindung der verschiedenen Schichten als ein Ganzes sich von dem Begriff der Kultur bei dem frühen Nietzsche, ebenso wie von dem von Nietzsche vermittelten Schopenhauer und Wagner erklären lassen. Also bestimmt das 'Dreigestirn' Schopenhauer, Wagner und Nietzsche, vor allem letzterer, nicht nur einzelne thematische Inhalte innerhalb des Romans, sondern die Art der Sinnkonstituierung in einer Weise, die die Behauptung von Thomas Manns 'Traditionalität' bzw. 'Modernität' in einem neuen Licht erscheinen läßt.
Mann, Thomas, --- Nietzsche, Friedrich Wilhelm, --- In literature --- Literature. --- Doktor Faustus (Mann) --- Roman --- Philosophie --- Rezeption. --- Textstruktur. --- Technique. --- Mann, Thomas (1875-1955). --- Nietzsche, Friedrich, --- Nietzsche, Friedrich --- Mann, Thomas. --- Nietzsche, Friedrich. --- In literature. --- Influence. --- Rezeption --- Mann, Thomas / Doktor Faustus. --- Doktor Faustus (Mann, Thomas). --- Doktor Faustus. --- Doktor Faustus (Mann). --- Mann, Thomas --- Germanic Literature --- Languages & Literatures --- Mann, Thomas: Doktor Faustus. --- LITERARY CRITICISM / European / German. --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- Nietzsche, Friederich --- Mann, Thomas, - 1875-1955 - Doktor Faustus --- Nietzsche, Friedrich Wilhelm, - 1844-1900 - In literature --- Nietzsche, Friedrich Wilhelm, - 1844-1900
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"While a large amount of scholarship about Milan Kundera's work exists, in Liisa Steinby's opinion his work has not been studied within the context of (European) modernity as a sociohistorical and a cultural concept. Of course, he is considered to be a modernist writer (some call him even a postmodernist), but what the broader concept of modernity intellectually, historically, socially, and culturally means for him and how this is expressed in his texts has not been thoroughly examined. Steinby's book fills this vacuum by analyzing Kundera's novels from the viewpoint of his understanding of the existential problems in the culture of modernity. In addition, his relation to those modernist novelists from the first half of the twentieth century who are most important for him is scrutinized in detail. Steinby's Kundera and Modernity is intended for students of modernism in literary and (comparative) cultural studies, as well as those interested in European and Central European studies"--
Modernism (Literature) --- Existentialism in literature. --- Kundera, Milan --- Kountera, Milan --- Кундера, Милан --- קונדרה, מילן --- كوندرا، ميلان --- Criticism and interpretation. --- Europe --- Intellectual life --- 쿤데라, 밀란 --- クンデラ, ミラン
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Myth in the Modern Novel: Imagining the Absolute posits a twofold thesis. First, although Modernity is regarded as an era dominated by science and rational thought, it has in fact not relinquished the hold of myth, a more "primitive" form of thought which is difficult to reconcile with modern rationality. Second, some of the most important statements as to the reconcilability of myth and Modernity are found in the work of certain prominent novelists. This book offers a close examination of the work of eleven writers from the late eighteenth century to the beginning of the twenty-first, representing German, French, American, Czech and Swedish literature. The analyses of individual novels reveal a variety of intriguing views of myth in Modernity, and offer an insight into the "modernizing" transformations myth has undergone when applied in the modern novel. The study shows the presence of the "subconscious", the mythic layer, in modern western culture and how this has been dealt with in novelistic literature.
LITERARY CRITICISM / General. --- Myth. --- modern novel. --- modernity. --- Myth in literature. --- Fiction --- History and criticism.
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This collection of essays studies the encounter between allegedly ahistorical concepts of narrative and eighteenth-century literature from across Europe. At issue is the question of whether the theoretical concepts underpinning narratology are, despite their appearance of ahistorical generality, actually derived from the historical study of a particular period and type of literature. The essays take on aspects of eighteenth-century texts such as plot, genre, character, perspective, temporality, and more, coming at them from both a narratological and a historical perspective.
European prose literature --- European fiction --- Narration (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- European literature --- History and criticism. --- History --- eighteenth-century literature. --- historical narratology. --- narrative theory. --- Fiction --- Literary semiotics --- English literature --- anno 1700-1799
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Bakhtin and his Others offers fresh theoretical insights into Bakhtins ideas on (inter)subjectivity and temporality, research into his theoretical backgrounds, and case studies where these insights are employed in literary analysis.
Literature --- Subject (Philosophy) in literature. --- Intersubjectivity in literature. --- Dialogism (Literary analysis) --- Dialogics (Literary analysis) --- Criticism --- Aesthetics --- History and criticism --- Theory, etc. --- Aesthetics. --- Bakhtin, M. M. --- Bachtin, Michail, --- Bachtin, Michail M., --- Baxtin, Mixail Mixailovič, --- Bakhtine, Mikhaïl, --- Bajtin, Mijail, --- Bakhtin, Mikhail Mikhaĭlovich --- Bakhtin, Mikhail Mikhaĭlovich, --- Bahŭchʻin, --- Bahtyin, M. M. --- Bahtyin, Mihail Mihajlovics, --- Bahtin, M. M., --- Bachtinas, M. --- Bachtinas, Michailas, --- Бахтин, М. М. --- Bahtin, Mihail, --- Bakhtin, Mikhail, --- Бахтин, Михаил Михайлович, --- Criticism and interpretation. --- Bakhtin, Mikhayil, --- Literature History and criticism
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Thematology --- Literature --- Bakhtin, Michael M.
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