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Showcasing some forty paintings, drawings, prints, and books, together with two dozen examples of recovered Jewish ceremonial objects, this exhibition and catalogue tell the story of art that was looted by the Nazis during World War II, discovered by the Allies in hiding places throughout Germany after the war, and brought to Israel during the early 1950s by the Jewish Restitution Successor Organization (JRSO). The works - including paintings by Jan Both, Marc Chagall, Moritz Daniel Oppenheim, Egon Schiele, and Alfred Sisley - arrived with little if any documentation of prior ownership and have been held in custody by the Israel Museum since it inherited the holdings of the Bezalel National Museum in 1965.
Art --- kunstroof --- Israel Museum [Jerusalem] --- anno 1940-1949 --- looted art
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Rubens, Venus, and Adonis: Anatomy of a Tragedy examines this monumental masterpiece, analyzing its iconographic sources, composition, and place within the development of Rubens’ style. For the first time, drawings, a preparatory oil sketch, and paintings and prints of the same theme by other Flemish masters of Rubens' time are brought together to illuminate aspects of Rubens’ special interest in the subject of Venus and Adonis, a result of his readings in Classical literature. Twenty-five works, including nine loans from four countries, are on view from January 11 2012. Peter Paul Rubens, the Flemish Baroque master and quintessential uomo universale, is known for his large compositions, overflowing with voluptuous women, chubby cupids, and mythological characters, epitomizing the aesthetic ideals of the Low Countries in the 17th century. He was exposed to Renaissance painting, Classical sculpture and Humanist literature through his travels to Italy and Spain, and The Death of Adonis, painted around 1614, represents the luscious style he developed following a prolonged stay in Italy. The painting depicts the tragic moment when Venus, goddess of Love and Beauty, discovers the body of her handsome human lover, Adonis, gored by a wild boar while hunting and left bleeding to death. Gifted in 2000 to the Museum, The Death of Adonis presented to our local audiences for the first time the powerful imagery of Rubens at his most masterful and the classical tale of Venus and Adonis. Now chosen to inaugurate the "Focus" series, this remarkable work is illuminated by research conducted by the Museum's curators and displayed in context with related works from the Museum's and other collections. Rubens, Venus, and Adonis: Anatomy of a Tragedy presents viewers with a complete "dossier" of preparatory sketches and other works on the same subject by Rubens and his circle, as well as primary literary sources and works by other artists relating to the painting and its theme. Together, this ensemble offers a glimpse into the deeply focused process – in the artist's mind and in his studio – through which a great work of art is created.
Venus en Adonis --- bewening van Adonis --- Adonis [Mythological character] --- Rubens, Peter Paul --- Venus [Mythological character]
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Art --- Wallinger, Mark --- Broodthaers, Marcel --- Paik, Nam June --- Steinbach, Haim --- Hatoum, Mona --- Viola, Bill --- Ryman, Robert --- Kentridge, William --- Flavin, Dan --- Hesse, Eva --- Gober, Robert --- Bloom, Barbara --- Martin, Agnes --- Israel Museum [Jerusalem]
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