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Phenomenology, in its traditional encounters with ethics, has commonly aimed at a more descriptive rather than prescriptive goal. The direction of this project, however, is both phenomenological and prescriptive as I attempt to provide a phenomenological foundation for communitarian ethical theory. I argue, following Husserl, that the Ego and the Other arise together in sense and thus we are committed to community in a foundational way. I am always and fundamentally constituted as a member of a community - as a Self among Others - and, given this, there are certain ethical implications. Namely, there is a communal Good of which my good is but a perspective; indeed, it is a perspective on a Good which encompasses the whole of the living world and not just humanity. Consequently, we are foundationally imbedded in a deep community and a deep communitarian ethic.

General ethics --- Anthropologie philosophique --- Anthropology [Philosophical ] --- Antropologie [Filosofische ] --- Antropologie [Wijsgerige ] --- Communauté --- Community --- Ethics --- Ethiek --- Ethique --- Fenomenologie --- Filosofie van de mensheid --- Filosofische antropologie --- Gemeenschap --- Homme (Philosophie) --- Homme -- Philosophie --- Homme [Philosophie de l' ] --- Man (Philosophy) --- Mens (Filosofie) --- Menselijke natuur (Filosofie) --- Nature humaine (Philosophie) --- Natuur [Menselijke ] (Filosofie) --- Phenomenology --- Philosophical anthropology --- Philosophie de l'homme --- Phénoménologie --- Wijsgerige antropologie --- Communities --- Morale --- Academic collection --- Anthropology, Philosophical --- Civilization --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Philosophy, Modern --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Philosophy --- Values --- Social groups --- Communities. --- Ethics. --- Phenomenology. --- Philosophical anthropology. --- Communauté --- Phénoménologie --- Phenomenology . --- Philosophy. --- Philosophy, general. --- Mental philosophy --- Humanities --- Communaute

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Through a careful analysis of concrete examples taken from everyday experience and culture, Beautiful, Bright, and Blinding develops a straightforward and powerful aesthetic methodology founded on a phenomenological approach to experience—one that investigates how consciousness engages with the world and thus what it means to take such things as tastes, images, sounds, and even a life itself as art. H. Peter Steeves begins by exploring what it means to see, and considers how disruptions of sight can help us rethink how perception works. Engaging the work of Derrida, Heidegger, and Husserl, he uses these insights about "seeing" to undertake a systematic phenomenological investigation of how we perceive and process a range of aesthetic objects, including the paintings of Arshile Gorky, the films of Michael Haneke, Disney's Beauty and the Beast, zombie films, The Simpsons, the performance art of Rachel Rosenthal and Andy Kaufman, and even vegan hot dogs. Refusing hierarchical distinctions between high and low art, Steeves argues that we must conceptualize the whole of human experience as aesthetic: art is lived, and living is an art.

Aesthetics, Modern. --- Art --- Arts --- Phenomenology. --- Philosophy, Modern --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Modern aesthetics --- Philosophy. --- History and criticism. --- Analysis, interpretation, appreciation --- Arts, Primitive

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Phenomenology