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Film --- anno 1970-1979 --- anno 1960-1969 --- Japan --- film --- filmtheorie --- filmgeschiedenis --- twintigste eeuw --- cultuurgeschiedenis --- kunst --- filmregisseurs --- Oshima Nagisa --- Imamura Shohei --- Yoshida Yoshishige --- Hani Susumu --- Wakamatsu Koji --- Okamoto Kihachi --- 791.43 --- Experimental films --- Motion pictures --- History --- Political aspects --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism --- J6839 --- Japan: Media arts and entertainment -- cinema

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This volume addresses the historical development of Japanese cinema, and the confluence of traditional arts, sociopolitical trends, and Western technology. Previous studies of Japanese cinema concentrated on stylistic development, or on a particular era; but Standish (film studies, School of Oriental and African Studies, U. of London) discusses the subject in terms of modernity and the Shochiku Tokyo Studios, nationalism and empire, the state, humanism, transgression, and genres and.

Motion pictures --- History