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Film --- Motion pictures --- Philosophy. --- Théorie du cinéma --- Cinéma --- Esthétique --- Histoire et critique --- 82:791.43 --- 82:3 --- Literatuur en film --- Literatuur en maatschappijwetenschappen --- 82:3 Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Philosophy --- Théorie du cinéma. --- Esthétique. --- Histoire et critique. --- Histoire du cinéma. --- Motion pictures - Philosophy. --- #SBIB:309H1320 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Théorie du cinéma. --- Cinéma --- Histoire du cinéma. --- Esthétique.

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Film --- Literature --- 82:791.43 --- 791.43:82 --- 791.43:82 Film en literatuur --- Film en literatuur --- 82:791.43 Literatuur en film --- Literatuur en film --- Film adaptations --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- History and criticism --- Motion pictures and literature. --- History and criticism. --- Film adaptations - History and criticism

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One of François Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roch. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roch himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund. Drawing on this film and others by Truffaut, Robert Stam provides the first in-depth examination of the multifaceted relationship between Truffaut and Roch. In the process, he provides a unique lens through which to understand how adaptation works-from history to novel, and ultimately to film-and how each form of expression is inflected by the period in which it is created. Truffaut's adaptation of Roch's work, Stam suggests, demonstrates how reworkings can be much more than simply copies of their originals; rather, they can become an immensely creative enterprise-a form of writing in itself. The book also moves beyond Truffaut's film and the mnage--trois involving Roch, Hessel, and Grund to explore the intertwined lives and work of other famous artists and intellectuals, including Marcel Duchamp, Walter Benjamin, and Charlotte Wolff. Tracing the tangled webs that linked these individuals' lives, Stam opens the door to an erotic/writerly territory where the complex interplay of various artistic sensibilities-all mulling over the same nucleus of feelings and events-vividly comes alive.

Jules et Jim (Motion picture). --- Roche, Henri Pierre, -- 1879-1959. -- Jules et Jim. --- Truffaut, Francois -- History and criticism. --- Music, Dance, Drama & Film --- Film --- Roché, Henri Pierre, --- Truffaut, François --- History and criticism. --- Deux Anglaises et le continent (Motion picture). --- History and criticism --- Jules et Jim (Motion picture) --- Deux Anglaises et le continent (Motion picture) --- Truffaut, François - History and criticism --- Roché, Henri Pierre, - 1879-1959. - Jules et Jim --- Roché, Henri Pierre, - 1879-1959. - Deux Anglaises et le continent

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Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy.Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of “indigenous media,” that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world. Significant attention is paid to the role of arts-based activism in supporting the struggle of indigenous artistic activism, of the Yanomami people specifically, to save the Amazon forest and the planet.

Indigenous peoples --- Indigenous peoples in art --- Indigenous peoples in literature --- Indigenous peoples in motion pictures --- Indigenous peoples in popular culture --- Intellectual life --- Ethnology --- Popular culture --- Motion pictures --- Adivasis in literature --- Indigenous peoples and mass media --- Intellectual life. --- Indigenous peoples in art. --- Indigenous peoples in motion pictures. --- Indigenous peoples in popular culture. --- Indigenous peoples and mass media. --- Film theory & criticism. --- Indigenous peoples. --- Colonialism & imperialism. --- Hispanic & Latino studies. --- Performing Arts --- Political Science --- History --- Films, cinema. --- Film & Video --- General. --- History & Criticism. --- Colonialism & Post-Colonialism. --- Americas (North, Central, South, West Indies).

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Literature, Modern --- Motion picture plays --- Motion pictures and literature --- Motion pictures and theater --- Theater --- History and criticism --- History