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791.43 --- #SBIB:309H526 --- #SBIB:309H402 --- #SBIB:309H040 --- #SBIB:316.346H29 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Psychologie van de audiovisuele boodschap --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Populaire cultuur algemeen --- Positie van de vrouw in de samenleving: andere topics --- Feminism and motion pictures. --- Motion picture audiences. --- Motion pictures and women. --- Women in motion pictures. --- Feminism and motion pictures --- Motion picture audiences --- Motion pictures and women --- Women in motion pictures --- Motion pictures --- Women and motion pictures --- Women --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Motion pictures and feminism --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Audiences --- Sociology of the family. Sociology of sexuality --- Film --- Femmes au cinéma --- Cinéma et les femmes --- Cinéma --- Féminisme et cinéma --- Publics --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,
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Cancer --- Medical literature --- Diseases --- Cancer --- Cancer --- Médecine --- Maladies --- Cancer --- Social aspects --- Social aspects --- Psychological aspects --- Aspect social --- Documentation --- Aspect social --- Aspect psychologique
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Screen Histories: A Reader offers a selection of some of the best work on the varied and changing notions of the category 'history' in screen studies published in Screen during the last twenty years. The book brings together important work in this area at a time when 'history' is an increasingly contested category within academic debate. It includes interventions on the conceptualization of history in studies of screen institutions, technologies, discourses, texts, and audiences.
History of civilization --- Film --- 82:791.43 --- 82:3 --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Literatuur en film --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Motion pictures.
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This exciting collection of work from leading feminist scholars including Elspeth Probyn, Penelope Deutscher and Chantal Nadeau engages with and extends the growing feminist literature on lived and imagined embodiment and argues for consideration of the skin as a site where bodies take form - already written upon but open to endless re-inscription.Individual chapters consider such issues as the significance of piercing, tattooing and tanning, the assault of self harm upon the skin, the relation between body painting and the land among the indigenous people of Australia and the cultural economy of fur in Canada. Pierced, mutilated and marked, mortified and glorified, scarred by disease and stretched and enveloping the skin of another in pregnancy, skin is seen here as both a boundary and a point of connection - the place where one touches and is touched by others; both the most private of experiences and the most public marker of a raced, sexed and national history.
Skin --- Human body --- Feminist theory. --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Social aspects. --- Philosophy --- Feminist theory --- #SBIB:316.7C124 --- #SBIB:39A9 --- Social aspects --- Cultuursociologie: gebruiken, zeden en gewoonten --- Medische antropologie / gezondheid / handicaps --- Skin - Social aspects --- Human body - Social aspects
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This volume is an innovative exploration of understandings of globalisation in relation to the nature, culture and gender concerns of two decades of feminist theory.
Culture. --- Feminist theory. --- Globalization.
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