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A comprehensive exploration of the methods and techniques behind the digital architecture of NOX studio discusses the impact of technology on the creator's experimental works, documenting twenty-three key projects as surveyed in the essays of such critics as Manual De Landa, Detlef Mertins, and Andrew Benjamin.

virtual reality --- Computer. Automation --- Architecture --- Nox --- Architectural design --- Virtual reality in architecture. --- Architectural practice, International. --- Design architectural --- Réalité virtuelle en architecture --- Computer simulation. --- History --- Simulation par ordinateur --- Histoire --- Pratique internationale --- NOX (Firm) --- NOX --- Spuybroek, Lars --- Nederland --- Aide logique à la conception --- Informatique appliquée --- Virtual reality in architecture --- Architectural practice, International --- Computer simulation --- NOX (Firm). --- Réalité virtuelle en architecture

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Aesthetics of art --- aesthetics --- Ruskin, John --- Theory of architecture. --- Design --- Aesthetics. --- History of architecture. --- Philosophy: aesthetics. --- Architecture --- Philosophy --- Architecture. --- Philosophy. --- Criticism. --- History --- Romanticism. --- Modern (late 19th Century to 1945) --- Ruskin, John, --- Criticism and interpretation. --- Esthétique --- Philosophie --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Rëskin, Dzhon, --- Ruskin, --- Ruskin, J. --- Rŏsŭkʻin, --- Modern painters, Author of, --- Author of Modern painters, --- Graduate of Oxford, --- Rasukin, Jon, --- ラスキンジョン, --- Radio broadcasting Aesthetics --- Aesthetics

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*How do we live well?* The first sentence of *Grace and Gravity* raises the fundamental question that constantly occupies our minds - and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles.

According to Lars Spuybroek, the prize-winning former architect, this marks the point where the "paradoxical machine" of grace reveals its powers, a point where we "cannot say if we are moving or being moved." Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources - monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smartphones, spirits, saints, and fossils - with profound meditations on living, death, consciousness, and existence, *Grace and gravity* offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists, and philosophers.

Philosophy --- Architecture --- architectuurfilosofie

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"How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the ?paradoxical machine? of grace reveals its powers, a point where we ?cannot say if we are moving or being moved?. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, Grace and Gravity offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers."--

Architecture --- Quality of life. --- Philosophy.

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72.01 --- 72.036 --- Architectural design --- -Architectural design --- -Computer-aided design --- Virtual reality in architecture --- 72.012/013 --- 373.67 --- NAi --- Nederlands Architectuurinstituut --- Masterclass --- Spuybroek Lars --- Lang Bob --- ARUP --- NOX --- Architectuur en digitalisering --- Architecturale computertekeningen --- Computer Aided Design ; CAD --- 72:681.3 --- Architecture --- CAD (Computer-aided design) --- Computer-assisted design --- Computer-aided engineering --- Design --- Structural design --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Computer simulation --- Study and teaching --- -Ontwerp (architectuur) --- Architectuurontwerp --- Onderwijs (architectuur) --- Architectuuronderwijs --- Architectuur en computerwetenschappen --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Computer-aided design --- Ontwerp (architectuur) --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect