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"This book is a crucial contribution to the debate about the meaning and purpose of leisure at the end of modernity. Karl Spracklen uses Jurgen Habermas's work on the tension of rationalities to situate leisure and critical studies of leisure as meaningful and valuable in the twenty-first century. In particular, Spracklen uses Habermas' concerns between free, communicative discourse and globalizing, commodifying instrumentality to interrogate leisure as a critical, theoretical concept. Drawing on examples from sport, popular culture and tourism, and going beyond concerns about the grand project of leisure, Spracklen argues that leisure is central to understanding wider debates about identity, postmodernity and globalization."--Publisher's website.

Leisure --- Social aspects --- Habermas, Jürgen. --- Philosophy

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"The way in which leisure is used to construct whiteness and the way in which whiteness shapes leisure, is an important unanswered theme in sociological analyses of leisure. This book develops a new theory of instrumental whiteness and leisure, which draws in part on existing leisure theories and in part on the critical theorising around "race" and whiteness. In developing a new theory of whiteness and leisure, new primary and existing secondary empirical research is drawn upon to highlight whiteness across a comprehensive and internationally-grounded range of leisure practices. The book explores sports participation, sports media and sports fandom, informal leisure, outdoor leisure, music, popular culture and tourism. This book is grounded in Spracklen's development of leisure theory that uses a Habermasian framework of communicative and instrumental rationalities and actions to understand the tensions between utopian theories of individualized leisure and dystopian theories of increasing constraint and control. "--

Leisure --- Popular culture --- Whites --- Race identity

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The origins and deeds of the old Goths were constructed by Roman historians in fear of the Goth as a barbarian outsider; at the same time, the Goths were themselves the heroic subject of their own histories, constructed by their supporters as stories of their mythical origin and the deeds that led them to be rulers of their own kingdoms in post-Roman Late Antiquity. Who the old Goths were, their origins and their deeds, was a product of history, historiography and myth-making. In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. Spracklen and Spracklen argue that goth as sub-culture in the eighties was initially counter cultural, political and driven by a musical identity that emerged from punk. However, as goth music globalised and became another form of pop and rock music, goth in the nineties retreated into an alternative sub-culture based primarily on style and a sense of transgression and profanity. By this century goth became the focus of teenage rebellions, moral panics and growing commodification of counter-cultural resistance, so that by the goth has effectively become another fashion choice in the late-modern hyper-real shopping malls, devoid generally of resistance and politics. Goth, like punk, is in danger of being co-opted altogether by capitalism. This book suggests that the only way for goth culture to survive is if it becomes transgressive and radical again.

Goths --- Goth culture (Subculture) --- Subculture. --- History.

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Alternativity delineates those spaces, scenes, club-cultures, objects and practices in modern society that are considered to be actively designed to be counter or resistive to mainstream popular culture. The idea of the alternative in popular culture became mainstream with the rise of the counter culture in 1960s America (though there were earlier forms of alternative cultures in America and other Western countries). Alternativity is associated with marginalization, both actively pursued by individuals, and imposed on individuals and sub-cultures, and was originally represented and constructed through acts of transgression, and through shared sub-cultural capital. This edited collection maps the landscape of alternativity and marginalization, providing new theory and methods in a currently under-theorized area, setting out the issues, questions, concerns and directions of this area of study. It demonstrates the theoretical richness and empirical diversity of the interdisciplinary field it encompasses, and is deliberately feminist in its approach and its composition, with a majority of the contributors being women. Divided into three sub-sections, focused on sub-cultures, bodies and spaces, contributors explore this exciting new terrain, both through critiques of theory and new theoretical developments, and case studies of alternativity and marginalization in practice and in performance, expanding our understanding of the alternative, the liminal and the transgressive.

Subculture. --- Marginality, Social. --- Alternative lifestyles. --- Body image --- Social aspects.