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The photographer returned to spend a summer in the hometown of her childhood, Damme in southern Lower Saxony. Damme is surrounded by an agricultural landscape of industrial monoculture. At the time of the photographs, the fields were full of maize. Heidi Specker took portraits of pupils at the high school and positioned these figures and faces alongside brick architecture, with bunting and brass musical instruments, subtly evoking rituals, to form a visual essay of 70 photographs.The theme of human and animal is biographically and historically reasoned and updated in text and image through a personal commentary from the photographer. The book deals with our own biography, which has become increasingly problematic these days, in terms of animal husbandry, particularly in this region, and global climate change.
fotografie --- landschapsfotografie --- documentaire fotografie --- portretfotografie --- eenentwintigste eeuw --- Specker Heidi --- Duitsland --- 77.071 SPECKER --- Exhibitions --- Specker, Heidi
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kunstenaarsboeken --- artists' books [books] --- Specker, Heidi
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Author Christoph Grafe investigates an architectonic typology, the cultural edifice, which must often take on the role of national identity and culture in the realisation of a democratic society. This book takes two specific projects as its subject: London's South Bank and the Kulturhus in Stockholm. The buildings were chosen as a result of their architectural meaning, and by the fact that they appeared in two countries that fulfilled a leading role in the development of the post-war 'welfare state'; in Europe. Besides an in-depth analysis of the two cities within the context of their wider national and cultural development, the book includes a photo essay by German photographer Heidi Specker.
72.03 --- 72.036 --- Europa --- 008 --- 316.7 --- 316 --- South Bank --- London --- Kulturhus --- Stockholm --- 72.038 --- Architectuur ; socio-culturele gebouwen ; 20ste eeuw --- Na-oorlogse architectuur ; Londen ; Stockholm ; 20ste eeuw --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Cultuur --- Culturele identiteit --- Cultuursociologie --- Sociologie --- Architectuurgeschiedenis ; 1950 - 2000 --- Public buildings --- Architecture and society
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Heidi Specker became known in the mid-1990s through the "Speckergruppen" or "Specker Groups" (1995/96) and other work series, which focused quite literally on concrete structures in an anticipation of the reappraisal of post-War architecture. Specker is also one of the pioneers of digital photography. One thing almost all her works have in common: By examining them through the eye of the camera they serve as a visual artistic exploration of historical works and circumstances. In addition, Heidi Specker's images are also always a reflection of photography as a medium and its reception. The catalog accompanying the exhibition offers the first comprehensive survey of Heidi Specker's work and assembles important bodies of work from the last 20 years. Exhibition:
fotografie --- eenentwintigste eeuw --- Duitsland --- Specker Heidi --- documentaire fotografie --- stadsfotografie --- architectuurfotografie --- 77.071 SPECKER --- Exhibitions --- Photography --- fotoboeken --- Specker, Heidi
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Outdoor photography --- Photographie à l'extérieur --- Exhibitions. --- Expositions --- Specker, Heidi
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