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"Fresca is detective story, cultural history and love story. It tells a tale of unconventionality, multifarious creativity, and a quest for new ways of living and loving amidst the complexities of Interwar Britain. For Francesca Allinson life and making art were synonymous, though both were cut short. Her story captures the topsy-turvy quality of a life singularly led; it shows how biography too gets turned upside down in the making - how the story of a single individual can throw the literary and social perspective of the period into relief. Helen Southworth's initial goal was to discover how Francesca's fictional autobiography, A Childhood, made it onto Leonard and Virginia Woolf's The Hogarth Press list in 1937. The result was to be immediately drawn in to the company of prominent artistic figures of the period"--

Women --- Allinson, Francesca, --- Bloomsbury group. --- Bloomsbury group --- England --- Intellectual life --- Women - England - Biography --- Allinson, Francesca, - 1902-1945 --- England - Intellectual life - 20th century

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Business planning. --- International business enterprises -- Management. --- Success in business. --- Management --- Business & Economics --- Management Styles & Communication --- International business enterprises --- Success in business --- Business planning --- E-books --- Business enterprises --- Business plans --- Corporate planning --- Corporate strategy --- Corporations --- Strategy, Corporate --- Planning --- Strategic planning --- Business --- Business failures --- Creative ability in business --- Prediction of occupational success --- Management.

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“This genre-bending, delightful book is about so much more than might at first appear: the revolution of digital humanities; feminist collaborative scholarship; pedagogy; adventures in the archives; modernism; book history; publishing . . . It is hard to imagine anyone working in the humanities today who could not benefit from reading about the scholarly adventures and discoveries behind the Modernist Archives Publishing Project.” — Mark Hussey, Distinguished Professor of English at Pace University, USA This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century. Claire Battershill is Banting Postdoctoral Fellow in the Department of English at Simon Fraser University in Vancouver, Canada. Helen Southworth is Associate Professor of Literature in the Robert D. Clark Honors College at the University of Oregon, USA. Alice Staveley is Lecturer and Director of Honors in the Department of English, Stanford University, USA. Michael Widner is Academic Technology Specialist in the Division of Literatures, Cultures, and Languages at Stanford University, USA. Elizabeth Willson Gordon is Assistant Professor of English at The King’s University in Edmonton, Canada. Nicola Wilson is Lecturer in Book and Publishing Studies at the University of Reading, UK.

Literature. --- Culture --- Literature --- Literature, Modern --- Humanities --- Digital Humanities. --- Twentieth-Century Literature. --- Literary Theory. --- Cultural and Media Studies, general. --- Study and teaching. --- Philosophy. --- 20th century. --- Digital libraries. --- Digital humanities. --- Data processing --- Information technology --- Digital humanities --- E-books --- Humanities-Digital libraries. --- Literature, Modern-20th century. --- Literature-Philosophy. --- Culture-Study and teaching. --- Humanities—Digital libraries. --- Literature, Modern—20th century. --- Literature—Philosophy. --- Culture—Study and teaching. --- Cultural studies --- Literature and philosophy --- Philosophy and literature --- Digital libraries --- Theory --- Communication. --- Media and Communication. --- Cultural Studies. --- Communication, Primitive --- Mass communication --- Sociology

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This collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied — including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period. -- Publisher.

British periodicals --- Periodicals --- History --- British periodicals. --- Frauenliteratur. --- General. --- Moderne. --- Women authors, English --- Women authors, English. --- Women periodical editors --- Women periodical editors. --- Zeitschrift. --- Publishing --- Publishing. --- 1800-1999. --- Great Britain. --- Gro�britannien.