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- On the threshold of historiography: biography, artists, genre##- The artist in nature: Renaissance biography##- The artist in culture: Kulturwissenschaft from Burckhardt to Warburg##- The artist in history: the Viennese school of art history##- The artist in myth: early psychoanalysis and art history##- The artist in the text: rhetorics in the myth of the artist.
Developmental psychology --- Art --- History as a science --- Artists --- Historiography. --- Psychology. --- Psychology --- Historiography
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Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.
Portraits, Austrian --- Subjectivity in art. --- Self (Philosophy) in art. --- Art --- Historiography --- History --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Austrian portraits --- Art, Primitive --- Portraits, Austrian - Austria - Vienna - 20th century. --- Art - Historiography - History - 20th century.
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In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.
Arts, Modern --- Jewish arts. --- Jews in art. --- Jews --- HISTORY / Medieval. --- Identity, Jewish --- Jewish identity --- Jewishness --- Jewish law --- Jewish nationalism --- Jewish way of life in art --- Arts, Jewish --- Arts --- 20th century. --- Identity. --- Ethnic identity --- Race identity --- Legal status, laws, etc. --- abstract art. --- aby warburg. --- aesthetic. --- aniconism. --- anselm kiefer. --- anti semitism. --- art history. --- art. --- assimilation. --- berlin. --- clement greenberg. --- cultural identity. --- cultural studies. --- eleanor antin. --- enlightenment. --- exile. --- german expressionism. --- german expressionist art. --- iconoclasm. --- jewish art. --- jewish identity. --- jewish patronage. --- jewish studies. --- jewishness. --- judaism. --- judy chicago. --- meyer schapiro. --- modern art. --- morris gottlieb. --- nazi germany. --- nazis. --- religion. --- theodor adorno.
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Philosophy --- Art --- Literature --- art [fine art] --- literature [discipline] --- philosophy --- Foucault, Michel --- art [discipline] --- literary studies
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Aesthetics of art --- Painting --- painting [image-making] --- philosophy of art --- Foucault, Michel
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The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that produce and disseminate the visual arts in our society.Featuring contributors from a wide range of disciplines, Editing the Image considers editing in the context of academic journals, art-historical texts, illustrated books, museum displays, and exhibitions. It is an inclusive analysis of visual forms commonly associated with the process of editing - photography, film, and video - as well as some that are not intrinsically linked to editing - painting, sculpture, and architecture. In addition to wide-ranging academic considerations, this collection includes discussions of moving picture media and studio art by practitioners, giving the study a practical focus. For anyone who has considered the implications of the editorial process, this work will be of significant interest.
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Art --- Editing --- Edition critique --- Arts graphiques --- Edition --- Cpngrès
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Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, ma
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