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"This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time / Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complement and inform each other? How do word and image relate? And how might the field of Near Eastern studies not only adapt and apply approaches developed in other fields but also contribute to critical contemporary discourses? The volume is unified both by the themes that thread through it and by the comprehensive first chapter in the volume, which explores the status of Near Eastern arts and artifacts as simultaneously non-Western and ancient and as neither of these, and which provides a larger theoretical framework for issues addressed in the volume as a whole" Art/ifacts and ArtWorks : De-Colonizing the Study and Museum Display of Ancient and Non-Western Things / Karen Sonik -- Beyond Representation : The Role of Affect in Sumerian Lamenting / Paul Delnero -- Seeing and Knowing: Cultural Concepts and the Deictic Power of the Image in Mesopotamia / Beate Pongratz-Leisten -- The Context(ualization) of Art in Non-Literate Societies : Images and Animal Bronzes in the Armenian Middle Bronze Age / Karen S. Rubinson -- To Be or Not to Be (Divine) : The Achaemenid King and Essential Ambiguity in Image, Text, and Historical Context / Matthew W. Waters -- Glyptic Images as Reflecting Social Order : Changes in Seal Iconographies from Egalitarian to Early Centralized Societies in Greater Mesopotamia / Marcella Frangipane -- Sealing Practices at Tal-e Bakun A : Revisiting Concepts of Social Organization and Economic Control / Barbara Helwing -- Ephemeral Artifacts : Warlock and Witch Figurines in Mesopotamian Anti-Witchcraft Rituals / Greta Van Buylaere -- What Lay Beneath : Queen Puabi's Garments and Her Passage to the Underworld / Rita Wright -- Assyrian Spaces : Surface and Wall as Constitutive Features in Neo-Assyrian Narrative Reliefs / Marian H. Feldman -- The Assyrian Propaganda Machine in Text and Image : The Case of Sennacherib at Tyre in 701 BCE / Joshua Jeffers -- The News from the East : Assyrian Archaeology, International Politics, and the British Press in the Victorian Age / David Kertai -- Assyrian Style and Victorian Materiality : Mesopotamia in British Souvenirs, Political Caricatures, Theatrical Productions, and the Sydenham Crystal Palace / Kevin M. McGeough.
Art and society --- Art objects, Ancient --- Art, Ancient --- History. --- Middle East. --- Middle East --- Antiquities. --- aesthetic attitude. --- aesthetics. --- ancient. --- anthropology of art. --- art. --- artifact. --- aura. --- context. --- materiality. --- non-Western. --- object. --- representation. --- space. --- thing. --- time.
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The Penn Museum has a long and storied history of research and archaeological exploration in the ancient Middle East. This book highlights this rich depth of knowledge while also serving as a companion volume to the Museum's signature Middle East Galleries opening in April 2018. This edited volume includes chapters and integrated short, focused pieces from Museum curators and staff actively involved in the detailed planning of the new galleries. In addition to highlighting the most remarkable and interesting objects in the Museum's extraordinary Middle East collections, this volume illuminates the primary themes within these galleries (make, settle, connect, organize, and believe) and provides a larger context within which to understand them.The ancient Middle East is home to the first urban settlements in human history, dating to the fourth millennium BCE; therefore, tracing this move toward city life figures prominently in the book. The topic of urbanization, how it came about and how these early steps still impact our daily lives, is explored from regional and localized perspectives, bringing us from Mesopotamia (Ur, Uruk, and Nippur) to Islamic and Persianate cites (Rayy and Isfahan) and, finally, connecting back to life in modern Philadelphia. Through examination of topics such as landscape, resources, trade, religious belief and burial practices, daily life, and nomads, this very important human journey is investigated both broadly and with specific case studies.
Anthropological museums and collections --- Archaeological museums and collections --- Cities and towns --- Urbanization --- African Studies. --- Archaeology. --- Asian Studies. --- Middle Eastern Studies. --- SOCIAL SCIENCE / Archaeology. --- Cities and towns, Movement to --- Urban development --- Urban systems --- Social history --- Sociology, Rural --- Sociology, Urban --- Urban policy --- Rural-urban migration --- Global cities --- Municipalities --- Towns --- Urban areas --- Human settlements --- Archaeological collections --- Antiquities --- Museums --- Anthropological collections --- Anthropology --- History. --- Collection and preservation --- University of Pennsylvania. --- Middle East --- Civilization. --- Antiquities.
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"This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world's earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300-539 BCE). The volume is divided into two parts: the first addressing theoretical and methodological issues through thematic analyses, and the second encompassing corpus-based approaches to specific emotions. Part I addresses Emotions and History; Defining the Terms; Materialization and Material Remains; Kings and the State; and Engaging the Gods. Part II explores Happiness and Joy; Fear, Terror, and Awe; Sadness, Grief, and Depression; Contempt, Disgust, and Shame; Anger and Hate; Envy and Jealousy; Love, Affection, and Admiration; and Pity, Empathy, and Compassion. Numerous sub-themes threading through the volume explore such topics as emotional expression and suppression in relation to social status, gender, the body, and particular social and spatial conditions or material contexts. The Routledge Handbook of Emotions in the Ancient Near East is an invaluable and accessible resource for Near Eastern Studies and adjacent fields, including Classical, Biblical, and Medieval Studies, and a must-read for scholars, students, and others interested in the history and cross-cultural study of emotions"--
Emotions --- Emotions. --- HISTORY / Ancient / General. --- Manners and customs. --- Middle East --- Middle East. --- Social life and customs --- History.
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Emotions. --- Manners and customs. --- Middle East --- Social life and customs --- History.
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"This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time / Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complement and inform each other? How do word and image relate? And how might the field of Near Eastern studies not only adapt and apply approaches developed in other fields but also contribute to critical contemporary discourses? The volume is unified both by the themes that thread through it and by the comprehensive first chapter in the volume, which explores the status of Near Eastern arts and artifacts as simultaneously non-Western and ancient and as neither of these, and which provides a larger theoretical framework for issues addressed in the volume as a whole"--
Art, Ancient --- Art objects, Ancient --- Art and society --- History. --- Middle East --- Antiquities.
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