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Xenakis, Iannis, --- Criticism and interpretation. --- Xenakis, Iannis --- Composers --- Greece --- Biography --- Xenakis, Yannis, --- Xenakēs, Giannēs, --- Xenakis, I. --- Ksenakis, I︠A︡nnis, --- Kusenakisu, Ianisu, --- Xenakēs, Iannēs, --- Xenakis, Jannis,
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Musical perception. --- Musique concrète --- Music --- Perception musicale --- Musique --- History and criticism. --- Philosophy and aesthetics. --- Histoire et critique --- Philosophie et esthétique --- Schaeffer, Pierre, --- Musical perception --- Musique concrète --- History and criticism --- Philosophy and aesthetics --- Philosophie et esthétique --- 78.21.1 Schaeffer --- 78.28.1 --- Musique concrète - History and criticism --- Music - Philosophy and aesthetics --- Schaeffer, Pierre, - 1910-1995
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Xenakis, Iannis, --- Congresses. --- Xenakis, Iannis --- Xenakis, Yannis, --- Xenakēs, Giannēs, --- Xenakis, I. --- Ksenakis, I︠A︡nnis, --- Kusenakisu, Ianisu, --- Xenakēs, Iannēs, --- Xenakis, Jannis,
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Cet ouvrage a pour objectif de relire l'histoire de la musique depuis Debussy jusqu'à la musique contemporaine au niveau de l'émergence du son. Cette histoire du son est composée de six mouvements : le timbre, le bruit, l'écoute, l'immersion, la composition avec des sons, l'espace. Ce livre évoque le changement de paradigme qui mène de la musique au son.
Music --- Sound --- Sound in art --- Musique --- Son --- Son dans l'art --- History and criticism --- Recording and reproducing --- Histoire et critique --- Enregistrement et reproduction --- History --- 78.21.1 --- 78.21.2 --- 78.48 --- 78.49 --- Musical perception --- Musique expérimentale --- Music - 20th century - History and criticism --- Music - 21st century - History and criticism
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Music --- Light --- Music --- Musique --- Lumière --- Musique --- Philosophy and aesthetics --- Congresses. --- Symbolic aspects --- Congresses. --- History and criticism --- Philosophie et esthétique --- Congrès --- Aspect symbolique --- Congrès --- Histoire et critique --- Xenakis, Iannis, --- Grisey, Gérard --- Congresses. --- Congresses.
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Electronic music --- Music --- Musique électronique --- Musique --- History and criticism. --- History and criticism --- Histoire et critique --- Histoire et critique --- Vaggione, Horacio, --- Criticism and interpretation.
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Makis Solomos explores the ecologies of music and sound, inspired by Felix Guattari, for whom environmental destruction caused by capitalism goes hand in hand with deteriorating ways of living and feeling, and for whom an ecosophical stance, combining various ecological registers, offers a glimpse of emancipation.
Music --- Social aspects.
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"From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are analyzed in detail, from Debussy to contemporary music in the early 1st century; from rock to electronics; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"--
Music --- Sound (Philosophy) --- Noise (Philosophy) --- Listening (Philosophy) --- Tone color (Music) --- Philosophy and aesthetics
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Music --- Sound art --- Sound --- Human ecology --- Social ecology --- Social aspects --- History and criticism --- Political aspects
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