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Feminist art criticism. --- Male nude in art. --- Masculinity in art. --- Neoclassicism (Art) --- Themes, motives. --- Abigail Solomon-Godeau --- kunst --- achttiende eeuw --- negentiende eeuw --- schilderkunst --- beeldhouwkunst --- gender studies --- naakt --- mannelijkheid --- lichamelijkheid --- erotiek --- seksualiteit --- neoclassicisme --- homoseksualiteit --- feminisme --- iconografie --- 7.041 --- Themes, motives --- Feminist art criticism --- Male nude in art --- Masculinity in art --- Art, Modern --- Classicism in art --- Revival movements (Art) --- Masculinity (Psychology) in art --- Male nude --- Nude in art --- Art criticism --- Feminist criticism
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profane iconografie --- mannen --- naakt --- kunstbeschouwing
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The Austrian Birgit Jürgenssen (1949-2003) was one of the most outstanding feminist avant-garde artists in the world. Starting from the liberating potential of Surrealism and in a dialogue with her generations discourse on social critique, beginning in the late sixties she developed a multilayered, stylistically multifaceted kind of art. The female body and its metamorphoses were the focus of her work, which predominately comprised drawing, painting, and photography. The Sammlung Verbund has made possible the first monograph on her work. This richly illustrated volume includes previously unknown pieces from the artists estate, provides an analysis of Jürgenssens autonomous stance in art history, and examines her relationship to literature, psychoanalysis, and Structuralism.
artists [visual artists] --- Jürgenssen, Birgit --- Art, Austrian. --- Painting --- Drawing --- Photography, Artistic --- Sexual minorities in art --- Jürgenssen, Birgit,
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La 4e de couverture indique : [L'auteure] est aujourd'hui l'une des plus importantes théoriciennes de la photographie. Historienne de l'art, critique et professeur émérite à l'université de Californie à Santa Barbara, ses travaux portent principalement sur la théorie du genre, les études féministes, la culture visuelle en France au XIXe siècle, l'histoire de la photographie et l'art contemporain. [...] le présent recueil réunit pour la première fois en langue française un ensemble d'essais parmi les plus significatifs de cette auteure majeure. [...] l'ouvrage propose une première partie sur les discours de l'histoire de la photographie, une deuxième sur les pratiques documentaires et une troisième sur la représentation du féminin
Photographie --- Histoire de la photographie --- Féminisme --- Theorie de la photographie
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In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography
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In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.
Photography, Artistic --- Photography --- Feminism and art --- Philosophy --- Photography, Artistic. --- Feminism and art. --- Philosophy.
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