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"Women finally began acting in 1660, well over a century after public playhouses first drew crowds in England. The appearance of the actress has riveted the scholarly gaze, but until now there has been little attention given to a crucial subject: her dramatic prologues and epilogues. Accompanying over ninety per cent of all performed and printed plays between 1660 and 1714, these customized comic verses that promoted the play evolved into essential theatrical elements, and they both contributed to and reflected a performer's success. Once dismissed by scholars as formulaic, prologues and epilogues should be included in scholars' analyses of Restoration and eighteenth-century plays in order for us to understand how Restoration audiences consumed plays. My project unites the Restoration actress and the dramatic prologue and epilogue in the first book-length study on the subject. Methodologically, it contributes to Restoration scholarship by bringing the critical lenses of performance and print culture theory to Restoration theatre. Because my study considers Restoration plays as both performances and publications, it treats plays as their original audiences perceived them, and thus expands our understanding of texts as performative and of performance as textual."--Publisher's website.

English literature --- Theatrical science --- Drama --- anno 1600-1699 --- English drama --- Prologues and epilogues --- Theater --- Drama. --- Englisch. --- Epilog. --- Prolog. --- History and criticism. --- History

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English drama --- Prologues and epilogues --- Theater --- History and criticism. --- History

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A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste. Each entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.

Book history --- Sociology of literature --- Printing --- Intermediality --- History --- History.