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"This definitive interdisciplinary collection by leading scholars probes the theoretical and historical contexts of films made about the American past from silent film to the present. The book offers a fresh assessment of studio era historical filmmaking and its legacy across a range of genres"--
Film --- United States --- Autant en emporte le vent (Film) --- Certains l'aiment chaud (Film) --- Cinéma et histoire --- Film en geschiedenis --- Gejaagd door de wind (Film) --- Gone with the Wind (Film) --- Gone with the Wind (Motion picture) --- Histoire au cinéma --- Histoire et cinéma --- Julia (Film) --- Julia (Motion picture) --- L'Homme qui tua Liberty Valance (Film) --- Man Who Shot Liberty Valance, The (Film) --- Man Who Shot Liberty Valance, The (Motion picture) --- Motion pictures and history --- PT 109 (Film) --- PT 109 (Motion picture) --- Some Like It Hot (Film) --- Some Like It Hot (Motion picture) --- Some Like It hot (Film) --- Streetcar Named Desire, A (Film) --- Streetcar Named Desire, A (Motion picture) --- Un tramway nommé Désir (Film) --- Films historiques --- Historical films --- Motion pictures and history. --- Histoire et critique --- History and criticism. --- #SBIB:309H1326 --- HISTORY / United States / 20th Century --- PERFORMING ARTS / Film & Video / History & Criticism --- PERFORMING ARTS / Film & Video / General --- History and motion pictures --- Moving-pictures and history --- History --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Performing arts --- 20th Century --- Film & Video --- History & Criticism --- General --- 20th Century. --- History & Criticism. --- General. --- History and criticism --- 20th century --- Griffith, David Wark --- Sirk, Douglas --- Cinéma et histoire. --- Histoire et critique. --- Cinéma et histoire. --- United States of America
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Reconstructing American Historical Cinema explores Hollywood's pivotal interpretations of national history during the height of the studio system. In a radical departure from traditional studies of film and history, J. E. Smyth looks at rarely discussed production records and scripts from studio archives, arguing that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her unique approach unites the study of popular and academic historical writing, historical fiction, and screenwriting, providing a rich cont
Motion pictures and history. --- Historical films --- History and motion pictures --- Moving-pictures and history --- History --- History and criticism.
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Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.
Sex role in literature. --- Racism in literature. --- Motion pictures --- Historical fiction, American --- Women in the motion picture industry --- History --- Film and video adaptations. --- Ferber, Edna, --- Knowledge --- Motion picture industry. --- Motion picture industry --- American historical fiction --- American fiction --- פרבר, עדנה --- פרבר, עדנה,
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This is a comprehensive history of Hollywood's high-flying career women during the studio era, 'Nobody's Girl Friday' covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style.
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A compelling history of the director's films of war and resistance
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Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Motion pictures and history --- Historical films --- Motion pictures and history. --- Films historiques --- Cinéma et histoire --- History and criticism. --- Histoire et critique --- United States --- History and criticism
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"From Here to Eternity (1953) is one of the most controversial films of its time. Adapted from James Jones's bestselling novel, the landmark blockbuster deals frankly with adultery, military corruption, physical abuse, racism and murder, and traces the unhappy lives of five American outsiders in the last days before Pearl Harbor. Made at the height of the Cold War and Hollywood's anti-communist purges, director Fred Zinnemann, writer Daniel Taradash and producer Buddy Adler defied military and industry pressure to censor the material. Exploring the film's full production history and drawing upon archival documents and rare interviews with cast and crew, J. E. Smyth provides a fascinating behind-the scenes look at the film many industry insiders thought couldn't be made."--Page [4] of cover.
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