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"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
Art, Greek --- Religion in art --- Art and religion --- Art, Ancient --- Art, Classical --- Classical art --- Classical antiquities --- Art --- Arts in the church --- Religion and art --- Religion --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Religious aspects --- Greece --- Religion. --- Religious life and customs. --- Social life and customs. --- Antiquities. --- Art, Greek. --- Religion in art. --- 7.032.6 --- 246 <495> --- 7.032.6 Kunst van het Oude Griekenland (tot 323) --- Kunst van het Oude Griekenland (tot 323) --- 246 <495> Art et symbolisme chretiens--Griekenland --- 246 <495> Christelijke kunst en symbolisme--Griekenland --- Art et symbolisme chretiens--Griekenland --- Christelijke kunst en symbolisme--Griekenland --- Religious life and customs --- Social life and customs --- Antiquities
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Vases, Black-figured --- Dancers in art. --- Vases à figures noires --- Danseurs dans l'art --- Vases à figures noires
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"This well-illustrated two-volume set offers a comprehensive, authoritative account of the development of Greek art through the 1st millennium BC. While there is no shortage of introductory handbooks on Greek art, the current publication takes a fresh look at the many facets of the subject, from the basic forms, materials, and types, to colonization, iconography, and finally the reception of Greek art in post-classical periods. A Companion to Greek Art is a collaborative effort joining scholars of various nationalities and specializations. The chapter authors are foremost experts in their field, and, being drawn from the ranks of university lecturers and professors, museum curators and field archaeologists, they offer unique perspectives to the collection. As a result, this is an unbiased and inclusive representation of the state of the discipline and the current ways it is being examined by scholars all over the world. A Companion to Greek Art presents a nuanced portrait of the development of Greek art, through a narrative that is factually oriented and technically detailed, as well as thematic, contextual, and historiographical"--
Art, Greek --- Art grec --- History.
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Archaeology --- Civilization, Anglo-Saxon. --- Excavations (Archaeology)
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The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.
Greek drama (Satyr play) --- Satyric drama, Greek --- Dionysia --- Greek drama
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