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catalogues raisonnés --- drawings [visual works] --- Gehry, Frank

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In Search of African American Space' explores the relationship between the African diaspora and contemporary spatial practice from multiple critical vantages in order to locate a transhistorical moment in the afterlife of slavery. Traditional notions of space are challenged as the analyses in this volume transcend discipline, deriving from architecture, performance art, history, and visual theory. Richly illustrated and organized thematically, the anthology, edited by Jeffrey Hogrefe and Scott Ruff, is divided into two sections. The first is dedicated to an aspect of practice that has operated outside of the academy. Contributions by architects of arguably the first generation to work in the discourse of the African diaspora are featured. These architects are conscious of performances typologies of opposition that have emerged from the slave-ship hold, slave plantation quarters, and urban 'slum/ghetto' as they seek to define, interpret, and design African American art, architecture, and public space. In the second section, quotidian practices are rendered significant as expressions of culture, aesthetics, and political activism. The transformation of space is an act of autonomy. Making African American spatial practices present is vital in this volume for to allow their absence, denial, or erasure is to allow the lingering effects of slavery to manifest as part of the contemporary condition.

Exode --- Art africain --- Discrimination --- Amérique du Nord --- African Americans in art. --- African diaspora in art. --- Architecture and race. --- Racism in art. --- Slavery in art. --- Space (Architecture) --- Social aspects. --- Architecture and race --- Space (Architecture) in art --- African Americans in art --- African diaspora in art --- Slavery in art --- Racism in art --- Social aspects --- Race and architecture --- Race --- Afro-Americans in art --- Negroes in art --- Architecture and space --- Negative space (Architecture) --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- Composition, proportion, etc. --- African Americans --- Noirs américains --- Africains --- Esclavage dans l'art --- Racisme dans l'art --- Noirs américains dans l'art --- Architecture et race --- Espace (Architecture) --- History --- Histoire --- Pays étrangers, dans l'art --- Aspect social --- 72.01 --- 7.02 --- 7.03 <09> --- 7.03 <09> Kunststijlen. Kunstscholen. Kunststromingen--Geschiedenis van ... --- Kunststijlen. Kunstscholen. Kunststromingen--Geschiedenis van ... --- 7.02 Kunsttechniek. Methoden en technieken in de kunst --- Kunsttechniek. Methoden en technieken in de kunst --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Kunststijlen. Kunstscholen. Kunststromingen--Geschiedenis van .. --- Kunststijlen. Kunstscholen. Kunststromingen--Geschiedenis van . --- Kunststijlen. Kunstscholen. Kunststromingen--Geschiedenis van

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This is the first comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.

Architectural drawing --- Architecture, Modern --- Architecture, Modern. --- Webb, Michael, --- Webb, Michael --- Criticism and interpretation. --- 2000-2099 --- 72.07 --- Architecture --- Architecten. Stedenbouwkundigen A - Z --- History --- Webb, Michael Dennis Puzey, --- 7.07 --- 741:72 --- Architectuur ; ontwerpen ; 2de helft 20ste euw ; M. Webb --- Webb, Michael °1937 (°Henley-on-Thames, Verenigd Koninkrijk) --- Architectuur ; visionaire ; futuristische ; fantastische --- Archigram --- Mobiliteit ; vervoer --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; architectuurtekeningen --- Dessin d'architecture

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Fronts de mer --- Urbanisme --- Résilience