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Contrairement à certains concepts psychologiques, les rumeurs ne suscitent pas l’incompréhension, mais éveillent l’intérêt. C’est un type d’information et de communication connu et méprisé de tous depuis toujours semble-t-il. Les rumeurs sont pourtant plus complexes et utiles qu’il n’y paraît : elles informent, rassurent et confirment des valeurs. Souvent fausses, parfois fondées, plus ou moins évolutives et toujours adaptatives, elles ont survécu à la modernité et circulent aujourd’hui sur Internet où elles prennent de nouvelles formes touchant rapidement un public très large. Si les rumeurs semblent être à l’épreuve du temps, les théories censées les expliquer ne le sont pas. La recherche actuelle doit tirer parti des conclusions de psychologues et de sociologues pionniers, mais il reste nécessaire de continuer les travaux pour compléter et affiner notre compréhension de ce phénomène complexe, mouvant, omniprésent et parfois inquiétant.
Rumor --- Disinformation --- Rumeur --- Désinformation --- Opinion publique --- Public opinion --- Disinformation. --- Désinformation --- Opinion publique. --- Rumeur.
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Toklas, Alice B. --- Biography --- Book
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Nobility --- Women --- Biography. --- History
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Pour mieux comprendre les bases et l'évolution de la rumeur au cours du XXe siècle et, notamment, son adaptation aux nouveaux moyens de communication ainsi que son intrusion plus importante dans la sphère politique. Contrairement à certains concepts psychologiques, les rumeurs ne suscitent pas l'incompréhension, mais éveillent l'intérêt. C'est un type d'information et de communication connu et méprisé de tous depuis toujours semble-t-il. Les rumeurs sont pourtant plus complexes et utiles qu'il n'y paraît : elles informent, rassurent et confirment des valeurs. Souvent fausses, parfois fondées, plus ou moins évolutives et toujours adaptatives, elles ont survécu à la modernité et circulent aujourd'hui sur Internet où elles prennent de nouvelles formes touchant rapidement un public très large. Si les rumeurs semblent être à l'épreuve du temps, les théories censées les expliquer ne le sont pas. La recherche actuelle doit tirer parti des conclusions de psychologues et de sociologues pionniers, mais il reste nécessaire de continuer les travaux pour compléter et affiner notre compréhension de ce phénomène complexe, mouvant, omniprésent et parfois inquiétant.
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Authors, American --- Ecrivains américains --- Biography --- Biographies --- Wilder, Thornton,
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Although some of Henry James's contemporary critics deemed him just short of a great writer, history has elevated him to indisputable preeminence in the American canon. Linda Simon chronicles and analyzes James criticism beginning with contemporary newspaper and magazine reviews and ending with current academic criticism. The story begins in the 1870s, when critics saw James's works as mirrors of American identity and sought to establish him in the nation's evolving canon. James himself worked to secure that place with his prefaces to the standard edition of his works; Simon analyzes criticism about those prefaces. She also shows how James's reputation became contested after his death: praised by some critics for psychological insight and stylistic innovation, he was dismissed by others as socially and politically irrelevant. But beginning in the 1940s, such critics as Trilling, Rahv, Leavis, and, most influentially, Leon Edel secured James's place at the forefront of the American canon. More recently, James scholarship has focused on sexuality and gender, race and morality, and the nature of consciousness; critical trends Simon also considers. This book, the only comprehensive overview of James criticism over the past 140 years, helps readers understand the paths that that criticism has taken and how scholars and critics have built upon past work. Linda Simon is Professor of English at Skidmore College and Editor-in-Chief of 'William James Studies.' Her books include 'Genuine Reality: A Life of William James,' which was a 'New York Times' Notable Book of 1998.
James, Henry, --- Criticism and interpretation --- History. --- James, Henry --- History --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- LITERARY CRITICISM / American / General. --- American Canon. --- American Identity. --- American Writer. --- Canonization. --- Henry James. --- Literary Criticism. --- Psychological Insight. --- Social and Political Relevance. --- Stylistic Innovation.
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Dazzling, clamorous and exotic, the circus is a theatre of the improbable and impossible. From the days of travelling troupes of acrobats and jugglers to the grand spectacle of the Cirque du Soleil, the circus has exerted an indelible fascination. Of all our myths of reinvention, rebirth, second acts and new identities, running away to join the circus has a special allure. In this book Linda Simon asks why we long to soar on the flying trapeze; to ride bareback on a spangled horse; to parade through city streets in costumes of glitter and gold. Why have artists and writers repeatedly or obsessively taken the circus as their subject? What does the circus offer us that we think we so desperately need? The Greatest Shows on Earth takes us from eighteenth-century hippodromes in Britain to intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted by aerialists and clowns. We meet P. T. Barnum, James Bailey and the enterprising Ringling Brothers, who created the golden age of American circuses. We explore contemporary transformations of the circus, from the whimsical Circus Oz in Australia to New York City's Big Apple Circus.Circus people are central to the story: trick riders and tightrope walkers, sword swallowers and animal trainers, contortionists and clowns - these are the men and women who create the sensational, raucous, titillating and incomparable world of the circus. Beautifully illustrated, rich in historical detail and full of colourful anecdotes, Linda Simon's vibrant history is as enchanting as a night at the big-top itself.
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