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Stephanie Sieburth's Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime's dehumanizing treatment following the Spanish Civil War (1936-39).

Coplas --- Popular music --- Psychic trauma --- Political persecution --- Folk songs, Spanish --- Poetry --- Spanish poetry --- Emotional trauma --- Injuries, Psychic --- Psychic injuries --- Trauma, Emotional --- Trauma, Psychic --- Psychology, Pathological --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Political repression --- Repression, Political --- Persecution --- Civil rights --- History and criticism. --- Psychological aspects --- History --- Piquer, Conchita, --- Piquer López, Concepción, --- López, Concepción Piquer, --- Piquer, Concha, --- Criticism and interpretation. --- Spain

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Criticism of La Regenta has until recently focused on the text's plot as an extraordinarily coherent and convincing fictional world. Stephanie A. Sieburth demonstrates that the devices which produce order in the text are counterbalanced by an equally strong tendency toward entropy of meaning. The narrator is shown to be duplicitous and unreliable in his judgments on characters and events. Without an omniscient narrator, readers must interpret for themselves the complex intertextual structure of the novel. Saints' lives, honor plays, and serial novels each provide partial reflections of Ana Ozo

Alas, Leopoldo, --- Clarín