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This book explores, discusses, and assesses the actual and potential sense of subjectivation in a variety of contexts. In particular, it reflects the genealogies, connections, variations, and practical implications of various theories of subjectivity and subjection while providing an up-to-date and authoritative account of how to engage with the ‘subject’. Rather than addressing the ‘subject’ merely in theoretical terms, this book explores subjectivation as a seminal expression of subjective practices in the plural. To the extent that subjectivity and subjection are key terms in a plurality of discourses and for a number of disciplines, Subjectivation in Political Theory and Contemporary Practices advances a trans-disciplinary reading by taking into account relevant debates that stretch from poststructuralism via postfordism to postdemocracy. In this sense, the book introduces readers to current approaches to subjectivation by displacing conventional understandings and suggesting unexpected reformulations. .

Political science --- Philosophy. --- Political philosophy --- Social sciences-Philosophy. --- Political theory. --- World politics. --- Political science. --- Political Philosophy. --- Social Philosophy. --- Political Theory. --- Political History. --- Political Science. --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Colonialism --- Global politics --- International politics --- Political history --- World history --- Eastern question --- Geopolitics --- International organization --- International relations --- Political philosophy. --- Social sciences—Philosophy.

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Vladislav Shapovalov est un artiste et chercheur travaillant à Milan et à Moscou. Il a été membre du groupe artistique Radek Community (1999-2007). Depuis 2008, il travaille de manière indépendante sur des projets qui utilisent l’exposition comme un moyen d’explorer les enchevêtrements entre les artefacts culturels, les configurations géopolitiques et la notion d’histoire.Il a été membre du Programme international de bourses pour l’art et la théorie 2016-2017 au Künstlerhaus Büchsenhausen, Innsbruck. Ce livre, consacré à son projet à long terme Image Diplomacy, a reçu une subvention de la Graham Foundation for Advanced Studies in the Fine Arts. This publication documents Vladislav Shapovalov's long-term undertaking 'Image Diplomacy', consisting of a film and a series of installations focused on exhibitions as a political medium. The project narrates the battle waged between two ideological blocs, the USSR and the United States, in the field of "exhibition diplomacy" during the Cold War and gives insight into the unwritten history of Soviet soft power and socialist internationalism. It compares forgotten archival materials left behind in Europe from Soviet photographic "kit" exhibitions and films with the American Family of Man exhibition, on display today at Luxembourg's Clervaux Castle and included in the UNESCO Register. Interplays between exhibition histories, geopolitics, and art practice are further examined in the contributions by film scholar Alex Fletcher and curator and researcher Gudrun Ratzinger; a conversation between Shapovalov and curator Emanuele Guidi; and an essay by curator and researcher Andrei Siclodi. Exhibition: Ar/ge kunst, Bolzano, Italy (02.12.2017-10.02.2018).

Exposition --- Installation-art --- Cinéma --- Shapovalov, Vladislav --- URSS --- Soviet Union