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Concepts of civilizational superiority and redemptive assimilation, widely held among nineteenth-century Russian intellectuals, helped to form stereotypes of Ukraine and Ukrainians in travel writings, textbooks, and historical fiction, stereotypes that have been reactivated in ensuing decades. Both Russian and Ukrainian writers have explored the politics of identity in the post-Soviet period, but while the canon of Russian imperial thought is well known, the tradition of resistance B which in the Ukrainian case can be traced as far back as the meeting of the Russian and Ukrainian polities and cultures of the seventeenth century B is much less familiar. Shkandrij demonstrates that Ukrainian literature has been marginalized in the interests of converting readers to imperial and assimilatory designs by emphasizing narratives of reunion and brotherhood and denying alterity.

Russian literature --- Ukrainian literature --- Imperialism in literature. --- History and criticism. --- Imperialism in literature --- History and criticism --- E-books

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Many of the greatest avant-garde artists of the early twentieth century were Ukrainians or came from Ukraine. Whether living in Paris, St. Petersburg or Kyiv, they made major contributions to painting, sculpture, theatre, and film-making. Because their connection to Ukraine has seldom been explored, English-language readers are often unaware that figures such as Archipenko, Burliuk, Malevich, and Exter were inspired both by their country of origin and their links to compatriots. This book traces the avant-garde development from its pre-war years in Paris to the end of the 1920's in Kyiv. It includes chapters on the political dilemmas faced by this generation, the contribution of Jewish artists, and the work of several emblematic figures: Mykhailo Boichuk, David Burliuk, Kazimir Malevich, Vadym Meller, Ivan Kavaleridze, and Dziga Vertov.

Art, Ukrainian --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- History --- 20th century art. --- Avant Garde. --- Boichuk School. --- Boichuk. --- Burliuk. --- David Burliuk. --- Dziga Vertov. --- French avant garde. --- French avant-garde. --- Ivan Kavaleridze. --- Jewish artists. --- Jewish. --- Jews. --- Kazimir Malevich. --- Malevich. --- Soviet Union Art. --- Soviet Union. --- Ukraine. --- Ukrainian art. --- Ukrainian culture. --- Ukrainian history. --- Ukrainian politics. --- Ukrainian. --- Vadym Meller. --- Vertov. --- art. --- avant-garde. --- cultural memory. --- culture. --- history. --- politics. --- revolution. --- twentieth century art. --- twentieth-century art. --- Art, Ukrainian. --- Avant-garde (Aesthetics). --- 1900-1999.

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This book examines four dramatic periods that have shaped not only Ukrainian, but also Soviet and Russian history over the last hundred years: the revolutionary struggles of 1917-20, Stalin's "second" revolution of 1928-33, the mobilization of revolutionary nationalists during the Second World War, and the Euromaidan protests of 2013-14. The story is told from the perspective of "insiders." It recovers the voice of Bolshevik historians who first described the 1917-21 revolution in Ukraine; citizens who were accused of nationalist conspiracies by Stalin; Galician newspapers that covered the 1933-34 famine; nationalists who fomented revolution in the 1940s; and participants in the Euromaidan protests and Revolution of 2013-14. In each case the narrative reflects current "memory wars" over these key moments in history. The discussion of these flashpoints in history in a balanced, insightful and illuminating. It introduces recent research findings and new archival materials, and provides a guide to the heated controversies that have today focused attention scholarly and public attention on the issues of nationalism and Russian-Ukrainian relations. The Euromaidan protesters declared that "Ukraine is not Russia," but the slogan was already current in 1917. This volume describes the process that led to its reappearance in the present day "This book examines four dramatic periods that have shaped not only Ukrainian, but also Soviet and Russian history over the last hundred years: the revolutionary struggles of 1917-20, Stalin's "second" revolution of 1928-33, the mobilization of revolutionary nationalists during the Second World War, and the Euromaidan protests of 2013-14. The story is told from the perspective of "insiders." It recovers the voice of Bolshevik historians who first described the 1917-21 revolution in Ukraine; citizens who were accused of nationalist conspiracies by Stalin; Galician newspapers that covered the 1933-34 famine; nationalists who fomented revolution in the 1940s; and participants in the Euromaidan protests and Revolution of 2013-14. In each case the narrative reflects current "memory wars" over these key moments in history. The discussion of these flashpoints in history in a balanced, insightful and illuminating. It introduces recent research findings and new archival materials, and provides a guide to the heated controversies that have today focused attention scholarly and public attention on the issues of nationalism and Russian-Ukrainian relations. The Euromaidan protesters declared that "Ukraine is not Russia," but the slogan was already current in 1917. This volume describes the process that led to its reappearance in the present day."--

Revolutions --- Nationalism --- Memory --- History --- Ukraine --- Russia (Federation) --- Relations

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Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here revealed in its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field. --Book Jacket. The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. M̀odernism in Kyiv restores the multicultural city of Kyiv to its rightful position as a major player in the dialogue and cross-pollination of ideas occurring between important modernist figures in centres such as Paris, New York, London, and Vienna. Engaging and highly readable, this collection is impressive in its scope, depth, and breadth.'

Literature --- Soggetto. --- Modernism (Art) --- Arts, Ukrainian --- Theater --- History --- Kurbas, Lesʹ, --- Criticism and interpretation. --- Kyïv (Ukraine) --- Intellectual life