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Book
Iconicity
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ISBN: 9027243506 1322979103 9027268835 9789027268839 9789027243508 Year: 2015 Publisher: Amsterdam Philadelphia

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Abstract

This paper reexamines the notion of diagrammatic iconicity in grammar, i.e. the isomorphism of relational structure across form and meaning. After a quick survey of the various definitions of diagrammatic iconicity, some illustrations are given from coordinating constructions. It is shown that grammatical (a)symmetry in the expression of complex events corresponds to conceptual (a)symmetry. Next, diagrammatic iconicity is examined from an evolutionary viewpoint. Based on two considerations, namely, (i) that diagrammatic iconicity in grammar presupposes the bifurcation of form and meaning, and (ii) that analogical mapping between linguistic form and cognitive experience is a product of highly evolved cognitive capacity, it is claimed that diagrammatic iconicity is by no means "primitive" but a crucial species-specific trait of human language.


Book
Multimodal Metaphor

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Abstract

"Metaphor studies" has over the past 30 years become a discipline in its own right, mainly because of the cognitive linguistic claim that metaphors characterize thought, not just language. But most metaphor scholars hitherto focus exclusively on its purely verbal expressions. Since both persuasive and narrative discourses in contemporary society increasingly draw on modalities other than language alone, sustained research into a broader range of manifestations of metaphor is imperative. This volume is the first book-length study to investigate multimodal occurrences of metaphor, and is of interest to scholars interested in metaphor as well as in multimodal discourse. Each chapter investigates metaphors whose identification and interpretation depend on the co-presence of at least two of the following modalities: language, visuals, gestures, sound, music. On the basis of case studies in a variety of discourse genres (advertising, cartoons, films, comics, conversation, music, amply represented in photographs, logos, drawings, film stills, and musical scores), the contributors demonstrate that, and how, metaphor can occur multimodally, providing ideas and methodological angles enabling further theorizing and testing in this rapidly expanding field. Covering creative as well as conceptual metaphors, and where appropriate evaluating cultural factors governing metaphor interpretation, the contributors provide a wealth of material for studying the conceptual and rhetorical force of metaphor in contemporary society.

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