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Possessors and Possessed analyzes how and why museums-characteristically Western institutions-emerged in the late-nineteenth-century Ottoman Empire. Shaw argues that, rather than directly emulating post-Enlightenment museums of Western Europe, Ottoman elites produced categories of collection and modes of display appropriate to framing a new identity for the empire in the modern era. In contrast to late-nineteenth-century Euro-American museums, which utilized organizational schema based on positivist notions of progress to organize exhibits of fine arts, Ottoman museums featured military spoils and antiquities long before they turned to the "Islamic" collections with which they might have been more readily associated. The development of these various modes of collection reflected shifting moments in Ottoman identity production. Shaw shows how Ottoman museums were able to use collection and exhibition as devices with which to weave counter-colonial narratives of identity for the Ottoman Empire. Impressive for both the scope and the depth of its research, Possessors and Possessed lays the groundwork for future inquiries into the development of museums outside of the Euro-American milieu.

Museums --- Public institutions --- Cabinets of curiosities --- Collection management --- History. --- History --- Collection management&delete& --- E-books --- Museology --- History of civilization --- History of Southern Europe --- anno 1800-1899 --- Turkey --- 1874 antiquities law. --- abdlaziz. --- abdlhamid ii. --- abdlhamid. --- antique weapons. --- antiquities. --- archaeology. --- artifacts. --- cameras. --- church of the hagia irene. --- collection management. --- collection. --- colonial narratives. --- conquest. --- display. --- empire. --- history. --- identity. --- imperial armory. --- imperial museum. --- imperialism. --- islam. --- middle east. --- military storehouse. --- military. --- museum administration. --- museum exhibits. --- museums. --- national identity. --- ottoman empire. --- ottoman museums. --- railroads. --- relics. --- spoils of war. --- spolia. --- technology. --- turkey. --- turks. --- war.

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Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East.

Islamic art. --- Art, Islamic --- Art, Saracenic --- Muslim art --- Saracenic art --- Art

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Social sciences (general)