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hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2009 --- Computer art. --- Art and technology. --- Digital media. --- 7.039 --- 778.5 --- Beeldende kunst ; 20ste en 21ste eeuw --- Communication Art --- Computerkunst ; technologie in de kunst --- Digitale kunsten ; vrije --- Elektronische media --- Elektronische muziek --- Kunst en communicatie --- Kunst en elektronica --- Laserkunst ; holografie --- Media Art --- Multimedia --- Robots --- Simulation Art --- Videokunst ; installaties --- Virtual reality --- Web Art ; webkunst ; internetkunst ; Net Art --- 791.5 --- Adrian Robert --- Allen Rebecca --- Anderson Laurie --- Architecture machine group --- Art + Com --- Artaud Antonin --- Arterial Group --- Ascott Roy --- Asociacion arte concreto invencion --- Auzina Ieva --- Back Doug --- Barbie Liberation Organization --- Batchen Geoffrey --- Bear Liza --- Benayoun Maurice --- Blast theory --- Bonacic Vladimir --- Bookchin Natalie --- Boyle Mark --- Brecht Bertolt --- Brixey Shawn --- Bunting Heath --- Burden Chris --- Burnham Jack --- Burson Nancy --- Cage John --- Campbell Jim --- Campus Peter --- Chaos computer club --- Chu-yin Chen --- Claus Jürgen --- Cohen Harold --- Couchot Edmond --- Courchesne Luc --- Cox Donna J. --- Crandall Jordan --- Critical art ensemble --- Csuri Charles --- D'Agostino Peter --- DJ Spooky --- Davies Char --- Davis Douglas --- Dean Max --- Deck Andy --- Demarins Paul --- Dietz Steve --- Diller + Scofidio --- Dove Tony --- Dumb Type --- Dunning Alan --- Dupuy Jean --- E.A.T. --- Edmondson Bill --- Eliasson Olafur --- Fernandez Maria --- Flanagan Mary --- Flavin Dan --- Fleischmann Monika --- Fléri Louis --- Fontana Lucio --- Franke Herbert W. --- Fujihata Masaki --- Gabo Naum --- Gabriel Ulrike --- Gees Johannes --- Gillette Frank --- Gordon Douglas --- Graham Dan --- Granular Synthesis --- Grav --- Grey Michael Joaquin --- Haacke Hans --- Hansen Mark --- Harmon Leon --- Harris Jonathan --- Harwood Graham --- Hawkinson Tim --- Hayles N. Katherine --- Hegedüs Agnes --- Hershman Leeson Lynn --- Higgins Dick --- Hill Gary --- Hiller Susan --- Hills Joan --- Hinterding Joyce --- Hocking Ralph --- Holzer Jenny --- Horn Rebecca --- Huhtamo Erkki --- Huyghe Pierre --- I/O/D --- IAA --- Ihnatowicz Edward --- Ikam Catherine --- Ikeda Ryoji --- Iwai Toshio --- Jeremijenko Natalie --- Jonas Joan --- Kac Eduardo --- Kamvar Sep --- Kawaguchi Yoichiro --- Kepes Gyorgy --- Klüver Billy --- Knowbotic Research --- Knowlton Kenneth --- Kosice Gyula --- Kowalski Piotr --- Krebs Rockne --- Krueger Myron --- La pocha nostra --- Laposky Ben --- Laurel Brenda --- Lazzarini Robert --- Le Corbusier --- Legrady George --- Levin Golan --- Levine Les --- Livingston Jane --- Lozano-Hemmer Rafael --- Lucier Mary --- Lyotard Jean-François --- MIT media lab --- Macmurtrie Chico --- Malina Frank --- Mallary Robert --- Mann Steve --- Manovich Lev --- Marclay Christian --- Maris Bastiaan --- McCray Marilyn --- Memmott Talan --- Merz Mario --- Mignonneau Laurent --- Mikami Seiko --- Miller Paul --- Minujin Marta --- Miyajima Tatsuo --- Moholy-Nagy Laszlo --- Mori Mariko --- Mullican Matt --- Munari Bruno --- Muntadas Antonio --- Naimark Michael --- Nake Frieder --- Napier Mark --- Nauman Bruce --- Nechvatal Joseph --- Necro Enema Amalgamated --- Negroponte Nicholas --- Nideffer Rob --- Novak Marcos --- Openended Group --- Oppenheim Dennis --- Oursler Tony --- Packer Randall --- Paik Nam June --- Palatnik Abraham --- Paterson nancy --- Pauline Mark --- Penny Simon --- Pevsner Anton --- Piene Otto --- Piper Keith --- Polak Esther --- Ponton European Media Arts Lab --- Popper Frank --- Prophet Jane --- Pulsa --- Rajah Niranjan --- Ramiro Mario --- Rath Alan --- Rauschenberg Robert --- Rees Michael --- Reichardt Jasia --- Richards Catherine --- Rinaldo Ken --- Rogala Miroslaw --- Rokeby David --- Rubin Ben --- SKB Prometei --- Sandin Dan --- Sayre Rick --- Scher Julia --- Schneemann Carolee --- Schneider Ira --- Schwartz Barry --- Schwartz Lillian --- Schöffer Nicolas --- Scott Jill --- Seaman Bill --- Seawright James --- Selley Gordon --- Sermon Paul --- Shannon Thomas --- Sharp Willoughby --- Shaw Jeffrey --- Sheridan Sonia Landy --- Sherman Tom --- Shulgin Alexei --- Sims Karl --- Siña Alejandro & Moira --- Sommerer Christa --- Sonnier Keith --- Sponge & Foam --- Stelarc --- Strachan Tavares --- Strauss Wolfgang --- Strickland Rachel --- Studio Azzurro --- Subrosa --- Symbiotica --- Takis --- Tanaka Atsuko --- Tenhaaf Nell --- Tsai Wen-Ying --- Turrell James --- Van Gogh TV --- Vanderbeel Stan --- Varèse Edgar --- Vasulka Steina --- Vasulka Woody --- Vesna Victoria --- Viola Bill --- Vorn Bill --- Vostell Wolf --- Ward Adrian --- Weibel Peter --- White Norman --- Whitney James --- Wilfred Thomas --- Wise Howard --- Wohlgemuth Eva --- Woodrow Paul --- Xenakis Iannis --- Yalkut Jud --- Youngblood Gene --- computerkunst --- digitale kunst --- eenentwintigste eeuw --- elektronische kunst --- kunst en technologie --- kunst --- muziek --- nieuwe media --- twintigste eeuw --- 705.81 --- 705.9 --- conceptuele kunst --- videokunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- kunstgeschiedenis, videokunst --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Digital art. --- Elektronische Medien --- Kunst --- Medienkunst --- Netzkunst --- Elektronische Medien. --- Kunst. --- Medienkunst. --- Netzkunst. --- Art and technology --- Digital art --- Digital media --- Cox Donna J --- E.A.T --- Franke Herbert W --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Art, Computer --- Computer craft --- New media art --- Technology and art --- Technology --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank,

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Art --- audiovisual materials --- video recordings [physical artifacts] --- multimedia works --- community art --- computer art [visual works] --- new media art --- kunst en technologie --- Davies, Char --- Horn, Rebecca --- Paterson, Nancy --- Ascott, Roy --- Boyle, Mark --- Oppenheim, Dennis --- Paik, Nam June --- Gabo, Naum --- Hiller, Susan --- Flanagan, Mary --- Takis --- Adrian X --- Allen, Rebecca --- Back, Douglas --- Batchen, Geoffrey --- Béar, Liza --- Benayoun, Maurice --- Haacke, Hans --- Bookchin, Natalie --- Braey, Shawn --- Bunting, Heath --- Burnham, Jack --- Chu-Yin Chen --- Claus, Jürgen --- Munari, Bruno --- Fontana, Lucio --- Couchot, Edmond --- Courchesne, Luc --- Cox, Donna --- Crandall, Jordan --- Csuri, Charles --- Agostino, d', Peter --- Davis, Douglas --- Dean, Max --- Deck, Andy --- Demarins, Paul --- Dietz, Steve --- Dove, Toni --- Dunning, Alan --- Dupuy, Jean --- Edmondson, Bill --- Fleischmann, Monika --- Franke, Herbert W. --- Fujihata, Masaki --- Gabriel, Ulrike --- Gees, Johannes --- Gillette, Frank --- Granular=Synthesis --- Grey, Michael Joaquin --- Hansen, Mark --- Harmon, Leon D. --- Harris, Jonathan --- Hills, Joan --- Ikeda, Ryoji --- Lucier, Mary --- Miller, Paul D. --- Woodrow, Paul --- Cage, John --- Artaud, Antonin --- Brecht, Bertolt --- Merz, Mario --- Viola, Bill --- Rauschenberg, Robert --- Pevsner, Antoine --- Piene, Otto --- Sonnier, Keith --- Schöffer, Nicolas --- Cohen, Harold --- Graham, Dan --- Holzer, Jenny --- Eliasson, Olafur --- Turrell, James --- Flavin, Dan --- Mori, Mariko --- Mullican, Matt --- Nauman, Bruce --- Huyghe, Pierre --- Burden, Chris --- Burson, Nancy --- Campbell, Jim --- Levine, Les --- Oursler, Tony --- Gordon, Douglas --- Vostell, Wolf --- Weibel, Peter --- Stelarc --- Anderson, Laurie --- Campus, Peter --- ART+COM --- c a l c --- Groupe de recherche d'art visuel [Paris] --- Architecture Machine Group --- Arterial Group --- Asociacion Arte Concreto Invención --- Barbie Liberation Organization --- Blast Theory [Brighton] --- Chaos Computer Club --- Critical Art Ensemble --- Diller Scofidio + Renfro [New York, N.Y.] --- Dumb Type [Kyoto] --- EAT --- Chen, Chu-Yin

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Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term ""telematic art"" to describe the use of online computer networks as an artistic medium. In Telematic Embrace Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace.

Computer art. --- Art and technology. --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Technology and art --- Technology --- Art, Computer --- Computer craft --- Digital art --- New media art --- Forecasting. --- Art, Primitive