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“This volume is an exuberant account of the ways in which female agencies and subjectivities in visual culture have expanded and multiplied through digital technology and globalization. It is an invaluable contribution to contemporary discussions in film and television studies, as well as feminist theory and practice.” -Süheyla Schroeder, Berlin International University of Applied Sciences, Germany This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television. Diğdem Sezen is a lecturer at Teesside University, School of Computing, Engineering and Digital Technologies, Department of Communications, Media and Arts, UK. She holds a Ph.D. from Istanbul University, Turkey. Feride Çiçekoğlu holds a Ph.D. in architecture from University of Pennsylvania, USA. Her stint in prison during the military junta of 1980 in Turkey was the inspiration for her first novella, which she later adapted to screen and used as a springboard to build a second academic career in film. Aslı Tunç is a professor of media studies and communication in the Department of Media at Istanbul Bilgi University, Turkey. She holds a Ph.D. in media and communications from Temple University, USA. Ebru Thwaites Diken is an assistant professor in the Department of Film and Television at İstanbul Bilgi University, Turkey. She holds a a PhD in Sociology from Lancaster University, UK.

Motion pictures. --- Culture. --- Gender. --- Motion pictures --- Global Cinema and TV. --- Culture and Gender. --- Film and TV Production. --- Production and direction. --- Feminism and motion pictures. --- Motion pictures and feminism

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Literature --- Pragmatics --- Computer. Automation --- Mass communications --- Artificial intelligence. Robotics. Simulation. Graphics --- Digital storytelling. --- Interactive multimedia. --- Narration (Rhetoric) --- Digital media --- Electronic media --- New media (Digital media) --- Hypermedia systems --- Interactive media --- Narrative (Rhetoric) --- Narrative writing --- History. --- Digital storytelling --- Interactive multimedia --- History --- Mass media --- Digital communications --- Online journalism --- Computer software --- Storytelling --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric)

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This book constitutes the refereed proceedings of the 6th International Conference on Interactive Storytelling, ICIDS 2013, Istanbul, Turkey, November 2013. The 14 revised full papers presented together with 10 short papers were carefully reviewed and selected from 51 submissions. The papers are organized in topical sections on theory and aesthetics; authoring tools and applications; evaluation and user experience reports; virtual characters and agents; new storytelling modes; workshops.

Human sciences (algemeen) --- Journalism --- Computer science --- Information systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Computer. Automation --- Art --- storytelling --- computers --- informatica --- kunst --- media --- sociale wetenschappen --- informatiesystemen --- KI (kunstmatige intelligentie) --- computerkunde --- robots --- PC (personal computer) --- AI (artificiële intelligentie)