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Art --- Sculpture --- mirrors --- sculpture [visual works] --- outdoor sculpture --- Nature --- studios [work spaces] --- Kapoor, Anish
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The exhibition Contra o Muro constitutes the first important group of paintings presented to the Portuguese public by Dumas – and a new step in her oeuvre. A challenging and concerned body of work, Dumas has concentrated for the first time on painting architectural constructions – in this case the 'security wall' between Israel and Palestine, its violence and human tragedy. Paintings, texts and found media emphasise the social reality of segregation, oppression and domination. But these new works also transform into general explorations of death, loss and sacrifice, in a groundbreaking statement for Dumas that is simultaneously political, self-questioning and poetic.
Painting --- Arabisch-Israëlisch conflict --- Dumas, Marlene
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sculpture [visual works] --- installations [visual works] --- architecture [discipline] --- Sosnowska, Monika
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Art --- art [discipline] --- Antunes, Leonor --- Barateiro, Pedro --- Carneiro, Alberto --- Molder, Jorge --- Queiroz, Jorge --- Pimentão, Diogo --- Henriques, Pedro --- Santos, Ana --- Cerqueira, Mauro --- Cepeda, André --- Cidra, Bruno --- Loureiro, José --- Almeida, Sónia --- Sousa, André --- Reis, Pedro Cabrita --- Sarmento, Julião --- Musa paradisiaca --- anno 2000-2009 --- anno 2010-2019 --- Portugal
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On the occasion of the first major exhibition of the work of this award-winning duo of Portuguese artists, Serralves publishes, in association with the Italian publisher/distributor Mousse, a monograph covering nearly twenty years of the joint artistic career of João Maria Gusmão and Pedro Paiva. An unprecedented situation in the duo's career, the publication is a veritable exhibition catalogue, with around 250 views of meticulously documented installations, moving from a work in a magazine to a work in film, photography, sculpture and installation. Recognizing the importance of discursive production in the work of Paiva+Gusmão, the publication also includes a generous anthology of the artists' writings. Accompanied by unpublished essays - by Chris Fitzpatrick, independent curator, formerly Director of Objectif Exhibitions, Antwerp, and Kunstverein München, Anthony Huberman, Director and Chief Curator of the CCA Wattis Institute in San Francisco, and Philippe Vergne, Director of the Museum of Contemporary Art de Serralves - which propose different readings of a work that, combining anthropological register, drama and scientific research, presents itself as an investigation of the unfathomable, a form of esoteric knowledge that materializes in “poetic and philosophical fictions”.
Sculpture --- installation artists --- Gusmão, João Maria --- Paiva, Pedro --- Gusmão & Paiva
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Andre, Carl ; Apfelbaum, Polly ; Baer, Jo ; Barry, Robert ; Beuys, Joseph ; Bochner, Mel ; Boetti, Alighiero ; Broodthaers, Marcel ; Caldas, Waltercio ; Creed, Martin ; Darboven, Hanne ; Rivero, Elena Del ; Riverhead (New York) ; Gonzalez-Torres, Felix ; Haendel, Karl ; Hatoum, Mona ; Horn, Roni ; Horowitz, Jonathan ; Hesse, Eva ; Hume, Gary ; Judd, Donald ; Kelly, Ellsworth ; Kusama, Yayoi ; LeWitt, Sol ; Ligon, Glenn ; Lombardi, Mark ; Lozano, Lee ; Plimack Mangold, Sylvia ; Marden, Brice ; Martin, Agnes ; Mohamedi, Nasreen ; Noland, Cady ; Palermo, Blinky ; Pindell, Howardena ; Piper, Adrian ; Rockburne, Dorothea ; Roth, Dieter ; Ruscha, Edward ; Ryman, Robert ; Sandback, Fred ; Serra, Richard ; Shapiro, Joel ; Polk Smith, Leon ; Stingel, Rudolf ; Therrien, Robert ; Tiravanija, Rirkrit ; Truitt, Anne ; Wool, Christopher
Drawing --- Art styles --- Museum of Modern Art [New York, N.Y.] --- anno 1900-1999
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Havekost, Eberhard --- Kahrs, Johannes --- Plessen, Magnus --- Sasnal, Wilhelm --- Painting --- Plessen, Von, Magnus
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