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Mes images en papier ont cet avantage que, si je m’octroie le culot d’en coller dans la ville, en trois minutes, quelqu’un peut les refuser et les déchirer. Le pochoir anéantit cette réciprocité, comme certains tags : il a un côté égoïste (je salope le mur et vous emmerde tous). J’aime bien que mes images puissent être refusées. La fragilité, comme la date, fait partie de la proposition plastique. Je crois que, si mes images ont ému, c’est qu’inconsciemment le public les a perçues comme fragiles, qu’il sait que leur mort est annoncée, qu’elles vont disparaître, et cela ajoute à la force suggestive de la chose.

Romance languages --- Langues romanes --- History --- Histoire --- Arts & Humanities --- image éphémère --- art urbain --- mur --- architecture urbaine --- image en papier --- collage --- fragilité

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French language --- French language

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Italian language --- Italian language --- Italien (Langue) --- Italien (Langue) --- Phonology --- Rhythm. --- Phonologie --- Rythme

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Romance languages --- Historical linguistics --- anno 800-1199 --- Romance literature --- Transmission of texts --- Written communication --- Oral communication --- Transmission de textes --- Communication écrite --- Communication orale --- Writing --- History. --- Criticism, Textual. --- Transmission of texts. --- Written communication. --- Oral communication. --- -Romance literature --- -Transmission of texts --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Neo-Latin languages --- Italic languages and dialects --- Oral transmission --- Speech communication --- Verbal communication --- -History --- Romance-language literature --- Communication écrite --- Writing&delete& --- History --- Romance languages - Writing - History. --- Romance literature - Criticism, Textual.