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Euripides --- Criticism and interpretation --- Trojan War --- Tragedy --- Literature and the war --- Troy (Extinct city) --- In literature --- Mythology, Greek, in literature --- -Tragedy --- Drama --- Mythology, Greek --- -Euripides --- -Criticism and interpretation --- Views on war --- -In literature --- Euripide --- Mythology, Greek, in literature. --- Tragedy. --- Literature and the war. --- Criticism and interpretation. --- In literature. --- Trojan War - Literature and the war --- Euripides - Criticism and interpretation --- Troy (Extinct city) - In literature
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Greek drama (Tragedy) --- -Probability in literature --- Probabilities in literature --- Verisimilitude in literature --- History and criticism --- Homer --- -Technique --- Probability in literature. --- History and criticism. --- -Hóiméar --- Hūmīrūs --- Homeros --- Homerus --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Technique --- -Homer --- Homère --- Probability in literature --- Technique. --- Hóiméar
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Classical drama --- Theater and society --- Théâtre ancien --- Théâtre et société --- History and criticism --- History --- Histoire et critique --- Histoire --- -Theater --- -Theater and society --- -Actors --- Society and theater --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Classical literature --- -Social status --- Social aspects --- -History and criticism --- -Classical drama --- Théâtre ancien --- Théâtre et société --- Social status
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A discussion of how ancient Greek bards ensured that their poetry would reach audiences of various backgrounds
Epic poetry, Greek --- Narration (Rhetoric) --- Oral interpretation of poetry. --- Oral tradition --- Oral-formulaic analysis. --- Transmission of texts. --- Audiences --- Rhetoric, Ancient. --- History and criticism --- Theory, etc. --- Criticism, Textual. --- History --- Homer --- Technique. --- Oral-formulaic analysis --- Oral interpretation of poetry --- Rhetoric, Ancient --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Poetry --- Poetry reading --- Reading poetry aloud --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Audiences, Communication --- Communication audiences --- Communication --- Spectators --- History and criticism&delete& --- Theory, etc --- Rhetoric --- Oral interpretation --- Methodology --- Social aspects --- Homerus --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Narrative (Rhetoric) --- Narrative writing --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Epic poetry, Greek Criticism, Textual
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The essays in Between Orality and Literacy address how oral and literature practices intersect as messages, texts, practices, and traditions move and change, because issues of orality and literacy are especially complex and significant when information is transmitted over wide expanses of time and space or adapted in new contexts. Their topics range from Homer and Hesiod to the New Testament and Gaius’ Institutes , from epic poetry and drama to vase painting, historiography, mythography, and the philosophical letter. Repeatedly they return to certain issues. Writing and orality are not mutually exclusive, and their interaction is not always in a single direction. Authors, whether they use writing or not, try to control the responses of a listening audience. A variable tradition can be fixed, not just by writing as a technology, but by such different processes as the establishment of a Panhellenic version of an Attic myth and a Hellenistic city’s creation of a single celebratory history.
Oral communication --- Written communication --- Transmission of texts --- Oral tradition in literature --- Oral-formulaic analysis --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Oral tradition --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Oral transmission --- Speech communication --- Verbal communication --- History and criticism --- Methodology --- Oral communication - Greece - Congresses --- Oral communication - Rome - Congresses --- Written communication - Greece - Congresses --- Written communication - Rome - Congresses --- Transmission of texts - Greece - Congresses --- Transmission of texts - Rome - Congresses --- Oral tradition in literature - Greece - Congresses --- Oral tradition in literature - Rome - Congresses --- Oral-formulaic analysis - Congresses
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This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.
Greek drama (Tragedy) --- Greek drama. --- Greek literature --- Greek drama --- History and criticism --- Drama --- Classical Greek literature --- Arts and Humanities --- History
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Mythology, Greek, in literature --- Tragedy --- Drama --- Sophocles --- Criticism and interpretation.
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literatuur --- film --- televisie --- film en literatuur --- twintigste eeuw --- Sienkiewicz Henryk --- Guazzoni Enrico --- D'Annunzio Gabriellino --- Jacoby Georg --- Rossi Franco --- Kawalerowicz Jerzy --- LeRoy Mervyn --- Polen --- Verenigde Staten --- Italië --- 791.43 --- Sienkiewicz, Henryk, --- Film and video adaptations. --- Rome --- In motion pictures. --- On television. --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Sienkiewicz, Henryk --- Sienckiewicz, Hendrik --- Sienkiewicz, Heinrich --- Sienkiewicz, Henri
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