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Public administration --- Flanders --- Fotoboeken --- Habillement --- Kleding --- Livres de photos --- Police --- Politie --- Schutyser, Sebastian --- Johan De Vos --- fotografie --- documentaire --- documentaire fotografie --- portret --- portretfotografie --- politie --- België --- Schutyser Sebastian --- twintigste eeuw --- eenentwintigste eeuw --- 77.071 SCHUTYSER --- law enforcing --- full-length figures --- police officers
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The first sighting of the Rwenzori Mountain Range by non-Africans was made by Sir Henry Morton Stanley in 1876. Previous to his well-documented report, there were only rumours about these mountains on the border of present Uganda and the Congo, which feed the waters of the Nile. The Greek astronomer Ptolemy referred to them as Mountains of the Moon, a name still used today. The Rwenzori are well known for their extravagant plants. Most stunning are the giant heathers, senecios, and lobelias. Though the flora is similar to that of other higher African mountain ranges, it is much more luxuriant, and is characterised by unusually giant plants. This environment has an aesthetic and almost mystical effect on those who dare to intrude.In this book, photographer Sebastian Schutyser focuses on the aesthetic qualities of the Rwenzori Mountains in general, and of the Afroalpine vegetation in particular. By doing so, he also explores the boundaries of documentary photography. The use of infrared photography creates an unusual, pictorial result, enhancing the pristine beauty of these landscapes. The black-and-white prints radiate the light captured by the extraordinary flora of these legendary Mountains. The book presents eighty photographs reproduced beautifully in duotone plates. It also includes drawings of the major plants of the area and maps of the region.
Schutyser, Sebastian --- fotografie --- landschapsfotografie --- natuurfotografie --- plantenfotografie --- Afrika --- Schutyser Sebastian --- België --- eenentwintigste eeuw --- 77.071 SCHUTYSER --- 77.092.07 --- 77.047 --- Fotografen ; 2004-2005 ; Sebastian Schutyser --- Schutyzer, Sebastian °1968 (°Brugge, België) --- Belgische kunstenaars --- Natuurfotografie ; Oost-Afrika ; Rwenzori gebergte --- Thema's in de fotografie ; planten ; vegetatie --- Fotografen A - Z --- Fotografie ; landschappen, zeegezichten, panorama's, natuuropnamen --- Nature photography --- Ruwenzori Mountains (Congo and Uganda) --- Photography of mountains --- 761.2 fotografen afzonderlijk --- Schuytser, Sebastian --- infraroodfotografie --- zwart-wit fotografie --- 790 --- Ouganda --- Oeganda --- Afrika fotografie --- Afrique photographie --- kunstenaars --- artistes
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Islam --- Religious architecture --- photography [process] --- religieuze architectuur --- fotografie --- Mali
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Architecture --- Building, Clay --- Islamic architecture --- Vernacular architecture --- Arid regions --- Schutyser, Sebastian,
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Schutyser, Sebastian --- fotografie --- Sebastian Schutyser °1968 (°Brugge) --- Schutyser Sebastian --- Fotografen ; 1998-2000 ; Sebastian Schutyser --- twintigste eeuw --- Leemarchitectuur ; Afrika ; moskeeën ; adobetechniek --- documentaire --- Thema's in de fotografie ; Nigeria ; lemen moskeeën --- documentaire fotografie --- 77.092.07 --- architectuurfotografie --- 72.031.6 --- architectuur --- moskeeën --- religieuze architectuur --- Afrika --- Islam --- 77.071 SCHUTYSER --- 72.03 AF --- Fotografen A - Z --- Architectuurgeschiedenis ; primitieve architectuur : Afrika
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Architecture --- Mosques --- Mosquées
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Over the course of twenty years, acclaimed studio Miró Rivera Architects has produced an innovative, refined, and imaginative body of work―both modern and respectful of time-honored building traditions―that embodies the particularities of place and blurs the line between art and architecture. The firm’s diverse practice weaves together a commitment to craftsmanship with a honed sense of materiality and space to create structures at once elegant, controlled, and pleasant to inhabit. In all, Miró Rivera Architects has won more than one hundred design awards and represented American architecture at exhibitions worldwide. The first from the firm, this volume provides critical insight into the studio’s creative process through texts, 95 drawings, and 231 photographs, exploring two decades of work that has helped bring Texas architecture onto the international stage. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jiménez―prominent thinkers in urban design and architecture―and new images by renowned photographers Iwan Baan and Sebastian Schutyser, this book examines Miró Rivera’s approach to Austin as a “landscape city” and situates the firm’s work in a global context related to concepts of nature, urbanism, sustainability, and history.
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