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History

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This book is the first synthetic treatment of Venetian woodcarving and woodcarvers. It opens with an introduction covering all aspects of the subject - materials, techniques, patronage, genres, and style, as well as social history of the profession in late Medieval and Renaissance Venice. There follows a biographical dictionary of nearly 600 woodcarvers, largely based on unpublished archival documents, the most interesting of which are transcribed in entirety. The catalogue focuses on 13 works of particular interest in and outside of Venice. The corpus of 20 illustrations in color and 300 in black and white reproduces statues, altarpieces, crucifixes, and choir stalls in lavish and exquisite detail. Centro.

houtsnijwerk --- beeldhouwkunst --- altaarstukken --- 1350 - 1550 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Venetië --- 761 <45 VENEZIA> --- 76 <45> "13/15" --- 761 <45 VENEZIA> Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Hoogdruktechnieken in de grafische kunst--Italië--VENEZIA --- Grafische kunsten. Grafiek. Prentkunst--Italië--15e-16e eeuw. Periode 1300-1599 --- Wood-carving, Renaissance --- Wood sculpture, Italian --- Italian wood sculpture --- Renaissance wood-carving --- History --- houtsnijwerk. --- sculptuur. --- altaarstukken. --- 1350 - 1550. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Venetië. --- sculptuur

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As the first comprehensive treatment of Venetian sculpture of the early Renaissance in nearly a century, this book examines the documents, literary sources, and oeuvre of all Venetian sculptors in stone, bronze, and wood between the decoration of the crowning of San Marco at the beginning of the fifteenth century and the artistic revolution wrought by Jacopo Sansovino from ca. 1530 on. Its text pays particular attention to the style of individual works, to their physical and artistic context, their sources and their influence, and synthesizes forty-five years of attentive looking, of research in archives and libraries of the Veneto, and hundreds of photographic campaigns throughout Italy and as far afield as Croatia and Poland - many from specially mounted scaffolds. The introduction treats general questions of material, purpose, patronage, the origin of sculptors, their workshop practices and the structure of guilds, while the conclusion considers ways in which Venetian sculpture was unique--jacquette

Sculpture, Renaissance Italy Venice --- Sculpture de la Renaissance --- Sculpture, Italian --- Sculpture, Renaissance --- Sculptors --- Biography --- Sculpture --- Italian Renaissance-Baroque styles --- anno 1500-1599 --- anno 1400-1499 --- Venice --- Venetiaanse school

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Painting --- History --- stijlstudie --- adoration of the magi --- Pasture, de le, Roger --- anno 1400-1499 --- Netherlands --- Belgium

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sculpture [visual works] --- Venetiaanse school --- book review --- Italian Renaissance-Baroque styles --- anno 1400-1499 --- anno 1500-1599 --- Venice